Quotes About Science fiction

I was born in 1950 and watched science fiction and horror movies on TV and was always really fascinated by them.

NI love watching science fiction because I feel like when it's done well, it's not just monsters, but philosophy. Really good science fiction like, '2001,' for example, or the first 'Matrix.' But it takes someone who's got a brain and thinks in order to do really good science fiction.

For reasons probably related to the popular vision of Albert Einstein and, also, the threat posed by black holes in comic books and science fiction, our gravitational wave discoveries have had an amazing public impact.

I thought of myself as an outsider in a lot of ways as I was growing up. Not in a bad way; more as an observer. I often find myself thinking as an observer of science fiction rather than as a participant.

'E.T.' was far-fetched. 'E.T.' was this wimpy-looking kid that came to Earth to pick some plants, but he came from the Andromeda Galaxy to do that.

I hate SF books that think all you need to make a book is cool technology and mind-bending ideas without a decent plot or characters. And I hate when fantasy books are allowed to ramble off into five hundred page diatribes which don't advance the story one bit.

You can't remember the plot of the Dr Who movie because it didn't have one, just a lot of plot holes strung together. It did have a lot of flashing lights, though.

As for futuristic costumes, I loved doing 'Gattaca' because I'm a minimalist at heart, and it's a very minimal film. Plus, with Uma Thurman, Ethan Hawke and Jude Law, how could you go wrong?

I haven't read a lot of science fiction, and I never intend to write it; it seems to happen a little bit inadvertently for me, in that I'm trying to follow people into points in their lives that demand that I investigate the future.

Science fiction literature's focus is on ideas, the concept of change, and the impact on humanity. Those concepts are hard to capture on film. They work better in the mind.

I just read the scripts that come to me, and I see the ones which I really kind of understand and connect with, whether that's a science fiction or a period piece. It doesn't really matter as long as they're original and I have something to do with the character.

Usually when I mention suspended animation, people will flash me the Vulcan sign and laugh.

When they're watching musicals, I've heard people say, 'That's not realistic! Why would they just start singing?' But, I think they can believe it if they try! I mean, science fiction requires a suspension of disbelief, but people allow themselves to sit back and enjoy it anyway.

I do love science fiction, but it's not really a genre unto itself it always seems to merge with another genre. With the few movies I've done, I've ended up playing with genre in some way or another, so any genre that's made to mix with others is like candy to me. It allows you to use big, mythic situations to talk about ordinary things.

The Starship Enterprise is not a collection of motion picture sets or a model used in visual effects. It is a very real vehicle; one designed for storytelling.

Well, when you look at a lot of science fiction novels they're asking questions about power. There are questions about what it means to have power and what are the long-term consequences of power.

The mysteriousness and mystique of space is such, that science fiction attempts to tantalize you by telling you a story that could possibly be out there and that's the appeal of science fiction.

What made the show work, in addition to the relationships between the members of the crew, were the stories we told each week. Star Trek wasa tribute to the great tradition of science fiction, in which future civilizations were used to tell contemporary morality tales, tales about subjects that couldn't be addressed for various reasons at the time.

William Sleator

Greg Bear, Alan Dean Foster, Larry Niven, Jerry Pournelle.

The presence of religion in science fiction is hardly surprising given its tendency to question limits and boundaries, and what could be more challenging than the limitation of mortality itself?

One of the most recurrent themes in science fiction is its examination of humanity's relation to its own material constructions, sometimes to celebrate progress, sometimes in a more negative spirit of what Isaac Asimov has repeatedly described as technophobia, through fictions articulating fears of human displacement.

Science fiction constantly interrogates the limits of identity and the nature of difference. The latter is frequently described through a quasi-allegorical displacement of the alien on to other countries and planets, following a strategy of encounter whereby readers are encouraged to re-examine their self-conceptions as a result of confrontation with the Other, with beings whose culture is rarely explored in its own right, but rather to highlight the markers of difference.

I have been a reader of Science Fiction and Fantasy for a long time, since I was 11 or 12 I think, so I understand it and I'm not at all surprised that readers of the genre might enjoy my books.