Quotes About Series

A plot-structure is a series of integrated, logically connected events, moved by a central purpose, leading to the resolution of a climax.

If a man understands that his recent sojourn on earth was merely the latest of a long series of lives, and if he concentrates his mind towards recovering the memories of the distant past, he can recover them.

When I first starting conceiving series like 'Courtney,' 'Polly,' 'How Loathsome,' etc., I was shooting for closed story-arcs but open-ended concepts. Then I started realizing I was committing myself to potentially endless series.

So many Hollywood adaptations of really popular manga series just don't get it right, and for me what was really important was that if I was gonna do 'Naruto,' I wanted to actually work with Kishimoto and get a script to a stage where he would look at it and be excited about realizing it.

It is always exciting to receive the scripts before we start on a new series.

I've recently rediscovered Anthony Trollope. I used to read him back in college, and a friend turned me on to a whole new series of his work, 'The Palliser Series.' It's a series of seven or eight books.

You're working with the same people, and there's a lot of recognition. I like to do series best. I really do.

I've been amazed that it's so popular with people. But it's been fantastic. People are very excited when I walk into a place and they recognize me from the series.

Playing along with records is key. And as far as equipment goes it has gotten so much more affordable and the drum sets are of great quality. I play Pearl; their Export Series is great for a beginner.

I wanted to do Buddy Faro as a small budget movie. They said no. So I wanted to do it as a series of recurring TV movies, and they said no. So I agreed to do it as a series.

I did a series called Ned and Stacey for two years for Fox back in the 90s. I was writer on it as well as a producer, and it was very important to me that there were no contemporary references.

We set out to capture what was happening, and then we cut that into the series.

Listen, a cable series is a beautiful thing because there's such amazing writing happening on television, and it's a schedule that allows you to do a play or two. There's a reason everybody wants that job!

One of the many falsities of fiction that we accept quite happily is the non-ageing of characters as they appear across series and sequels.

When you do an animated series and add characters who are not from the canon, you really have to win over the hardcore fans.

I've always found the second book in a series is the hardest to write.

When I was young, I loved a series of books by an author called Maud Hart Lovelace and the series, which is still around, I'm happy to say, is - they're the 'Betsy-Tacy' books.

There's nothing - there's nothing - as action-packed as 'Hawaii Five-O.'

People would say I really loved Buck Rogers until the Hawk guy came on.

'T@gged' is really, really dope. I'm really proud of it, and I really love the role of Hawk. It's arguably one of my favorite roles I've played.

Every once in a while I get a fan letter from someone about thinking he or she saw me in an episode of an old western or police series. The writers are probably right.

I'd like to helm my own series. Something British.

When I wrote 'We Can Be Heroes,' I was just so excited about the concept of playing loads of characters, and a television series allows you to do that.

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