Quotes About Series

The first series I wrote, 'L.A. Candy ' was always meant to be a three-book series, so when I started out it was all outlined that way and by the time I was done with the third book, I had become so involved and the process and the stories, I was a little bit sad to be done.

Eve of Darkness is, well, sigh, really damned good. I can't wait for the next installment.

Ro, he's human and he cares about you. He has no way of knowing you're like this super-human, Goddess-channelling Vessel of death and destruction worthy of one very cool Japanese anime series

I decided that, if I were to write a teen series, I'd want to set it in a place that was familiar to me - Manhattan, where I'd grown up - and I'd model the characters on myself and my friends.

If he had smiled why would he have smiled? To reflect that each one who enters imagines himself to be the first to enter whereas he is always the last term of a preceding series even if the first term of a succeeding one, each imagining himself to be first, last, only and alone whereas he is neither first nor last nor only nor alone in a series originating in and repeated to infinity.

Each imagining himself to be the first last and only alone, whereas he is neither first last nor last nor only not alone in a series originating in and repeated to infinity.

You funny!" howled Nikita. "No," I said. "That's an entirely different book series starring Jamie Grimm. He funny. We Kidds. We treasure hunters.

When you're directing an ongoing series, the tone has already been set. So a director will come in and fulfill that tone - reinforce the characters and their behavior. The challenge is to find unique ways that you can visually tell the story while keeping the established tone and the pace and the characters.

'Line of Duty' had originally been conceived as a returnable drama, with the premise being that the fictional anticorruption unit AC-12 would move on to a new case in each series, centred on a high-profile antagonist accused of corruption.

For electronica music, David Linton has been doing this series called Unity Gain, which is pretty cool.

Horror films are the ones that pay the bills, and historically, they have shown that they are good investments. They helped Universal survive with that initial splash of horror films in the 1930s and '40s. And horror films kept New Line alive with the 'A Nightmare on Elm Street' series.

By the time I finished the first series, 'Marvel Universe vs. Punisher,' I knew that there was a lot more story to tell.

Once you've invested hundreds of hours in creating a coherent universe, your story's grown to around a half-million words and can't be written as anything less than a trilogy.

There should be a drama series about women trying to figure out their mystery leg bruises.

Writing a whole series was a crash course in screenwriting, which is a very different muscle to standup comedy writing.

Science fiction has been an inspiration to generations of scientists and engineers, and the film series 'Star Wars' is no exception.

When I was doing 'Deep Space Nine' the only other competing shows were 'Babylon Five' and I think 'Stargate' not too long after that.

I went back and started reading with Thor's first appearance, and my goal is to read all 600-plus issues in a row.

There are two ways to look at my publishing career. One is that I'm a novelist churning out books, who is eight into a series; the other way is that I'm a cartoonist, just starting out. Most cartoonists have long careers: Charles Schulz drew Peanuts for 50 years.

None of our series are ever static in terms of the dates. We always have a range of flexibility to respond to whatever may or may not happen.

I think if you have a series for a long time, it's in some ways like being in a play with a long run - in that the character stays the same - and so you are constantly posed with the challenge of making it interesting and unique week after week, year after year.

My degree was in education, but the idea of being a teacher lost out to being a reporter. I worked at a newspaper for a while, then went to New York and worked in PR at RCA and NBC, and at 'The United States Steel Hour,' a drama series.

I love talking about 'Stella.'

Developing a series is a next step for me.