Quotes About Shooting

I've always gotten credit for being a big man who doesn't want to shoot threes. Throughout my entire basketball career prior to coming to the NBA, I was praised for doing that.

With Animal Factory you'd think that because it's mostly interiors, you could shoot it anywhere. So we shot this in Philadelphia, and we had the cooperation of the prison system.

Kolkata is a great city, has great food and great people. We had some problems finding the kind of old buildings we were looking for, and even handling the crowds, but on the whole it was fun shooting there.

Well, there are three different processes of making a film, of course. They're sort of re-written three times. You write it to start with, and then you shoot it and you re-write it while shooting and you sort of re-write it as you edit.

Every time a film comes together, usually the studio executives come up for a day to the set. If you're out of town, they'll fly in or wherever you are - the cast, the director, the producers - all get together and have a big dinner and celebrate the fact that we're about to start shooting.

I'm an actor first and foremost. My producing credentials are just to say, 'Yeah, I love this story and now let's bring the people, the ensemble together,' and I get out of the way. I have no desire to check on schedules and shooting schedules and money and stuff like that.

In TV, you're basically shooting an episode in 10 to 14 days; 14 days is a luxury situation. And in film, you have anywhere from a month to three months, or it can be even longer than that, depending on what the production is.

I'm in awe of directors like the Coen brothers who can shoot their script and edit it, and that's the movie. They're not discovering the movie in postproduction. They're editing the script they shot.

The numbers I've shot, the percentages, they obviously are what they are and people are going to dissect everything but, I honestly feel like they're all going to go in when I shoot the ball.

People who come through television, if they don't get distracted, they learn how to shoot fast. They don't get shocked. And if they know how to adjust to that and they think outside the box, then they'll be fine.

I'm a numbers guy, and I think numbers sometimes tell stories and sometimes they don't. When you look at the NBA, when teams shoot 45% or better from the floor, what is their record? And if they shoot under that what is their record?

All teams need good shooters. You can never have enough shooting.

NBA's spacing's really helped. Teams gotta really respect my jumper.

The last day of shooting, there were tears. It was this family that's grown together over the years. Many of us have worked on it since the beginning, so there's a sadness when we all go our separate ways.

From the first moment on the set I was consumed with curiousity about the technical side of shooting a sound picture.

I'm not sure if I would be able to do set-pieces, but I'm good at penalties, either using power or technique on shooting it.

Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can't leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.

I was getting a lot of offers in Telugu when I was shooting for 'Oh My Friend' and 'Seventh Sense.'

It was when I was shooting for a Telugu film in Hyderabad when director Meher Ramesh approached me for 'Veera Kannadiga.' I was game to explore a new language and said yes.

I actually didn't find too many differences between B-town and the south. The difference lies in the temperature. I was shooting when it was 45 degrees Celsius in Chennai; Mumbai is cooler.

The only part of 'A Ghost Story' that was reactionary was a temporal one. I had spent so much time making 'Pete's Dragon' that I was really impatient and excited to make something new. When this project presented itself, I was ready to jump right into it. I started shooting two days after 'Pete's Dragon.'

He'd gone back to speak to the bartender at the Yakimanka Bar, but the man had gotten a rapid case of the three monkeys. He no longer could see, hear, or speak of the shooting.

did miss with the first shot, I'd be able to get off at least three shots before you get more than four hundred yards out on your horse," Jess replied bluntly. "What if you miss with all three shots?" Jess finally put the cartridge back into his front pocket. "I'd feel bad about it, but

One presenter was reporting on the fatal shooting of a suspected organized crime figure behind a downtown strip club, which involved much breathless speculation laid over meaningless pictures, mostly of the closed gate in the pink fence, above a ticker that said Moscow Comes to Phoenix, which Reacher figured would annoy Ukrainians everywhere, the two countries being entirely separate now, and proud of it, at least in one direction.