Quotes About Shooting

Obviously I'm not the greatest scorer in the world or the greatest shooter in the world, but I'm tough and rebounding is something that not too many people want to put the effort into doing.

When I first started in the industry, there were - this is prior to the era of computer graphics and all these digital tools - there were some pretty rigid, technologically imposed limitations about how you shoot things, because if you didn't shoot 'em the right way, you couldn't make the shot work.

I spend so much time in Los Angeles and normally stay at a corporate apartment when shooting 'Top Chef: Just Desserts,' but when I have the chance to stay somewhere more luxurious, I love The Montage in Beverly Hills.

What's fun about shooting exteriors on the street in Toronto is that there are cable cars.

I am in Toronto, shooting a movie for NBC.

We go through, I think, six different drafts of each script. And then my shooting it is roughly, you know, fifteen percent of the total work that gets done on a show. Then it's all post-production animation after that.

I grew up on a ranch with my father, so he educated us really early on about guns. We used to go target shooting all the time.

The camera's perspective exactly matches that of the assassin: it now shoots the tourists shooting their own memorial photos, and we can watch this in real time.

I had a good time shooting in New Zealand. I almost bought a home there while I was there, because I loved it so much.

Ginny had seen enough shows in her lifetime to know that this wasn't a very good show. It didn't actually make any sense. There were a lot of random things going on, like a guy who sometimes rode through the scene on a bike for no reason that Ginny could figure. And at one point, there was a shooting in the background, but the guy who got shot just kept on singing, so his injuries obviously weren't that bad.

Later, we all wondered how it was that our concern was not so much for our lives or for the fact that five armed strangers were using our house for a shooting match with a neighbor who was also armed and hiding somewhere in our garden. We, like all normal Iranian citizens, were guilty and had something to hide: we were worried about our satellite dish.

Thirty-round mag

The second guy moved the gun, trying to track me, the movements overlarge and shaking. Then, maybe because he saw the cool bead I was drawing on him, his nerve broke. He started shooting in a spray-and-pray pattern, his eyes closed, his body hunching forward involuntarily. Pffft. Pffft. Pffft. Small clouds of dust kicked up along the concrete around me, puffing out lazily in my adrenalized slow-motion vision. I heard the sounds of ricochets. Someone screamed.

The most memorable home videos and docs tell stories. Those stories don't just magically appear in the edit room. You have to imagine them before you start shooting.

The final problem is called overdetermination (or, sometimes, multiple sufficient causes). Consider a firing squad that dispatches the condemned man with perfectly synchronized shots. If the first shooter had not fired, the prisoner would still be dead, so under the counterfactual theory his shot didn't cause the death. But the same is true of the second shooter, the third, and so on, with the result that none of them can be said to have caused the prisoner's death. But that is just crazy.

Burr would not be the last vice president to shoot a man, but he was a better shot than Dick Cheney,..

The news was its usual discouraging self—people in Chicago can't help but shoot at each other, and we only hear about the ones who didn't miss.

So, Officer "Andy" managed to shoot a civilian in the head even after he'd died. Talk about taking incompetence to new heights.

Es war ein geisteswissenschaftliches Studienprogramm. Mit Schusswaffen.

When 'Dabangg' released, we were shooting in Chennai, but we still went to watch it in a theatre. I am not bothered if people try to mob me or ask me for autographs.

'Red Knot' is a film that I shot in Antarctica almost three years ago on a boat. It was a film that was improvised and it had very interesting circumstances while making the film, obviously. We were on a small boat bobbing around in Antarctica. It was a really remarkable experience.

I remember when I was shooting for my debut show Tashan-e-Ishq,' the first season of Naagin' had just started airing and I used to be so fascinated by the characters. It feels good to be a part of such a prominent franchise on TV.

Food scenes in movies are traditionally nightmares to shoot - you just can't fake eating, and you usually have to repeat it a lot of times to get the angles you need. It's actually quite a lot to ask of actors, and there's really nowhere to hide.

I always talk about shooting being broken down into three things. You have to have some semblance of good form. The second part is repetition: doing things over and over again until you really develop a skillset. And then the third part is confidence. But for me, you can't have confidence without having that second part.