Quotes About Shooting

and shoot-don't-shoot training. This is the Oklahoma v. Tuttle decision (1984, 10th Federal Circuit Court), and today many law enforcement trainers teach that a law enforcement agency is probably not in compliance with federal circuit court guidance if they are still shooting at anything other than a clear, realistic depiction of a deadly force threat.

For target shooting, that's okay. Get a license and go to the range. For defense of the home, that's why we have police departments.

Bad as was being shot by some of our own troops in the battle of the Wilderness,—that was an honest mistake, one of the accidents of war,—being shot at, since the war, by many officers, was worse.

Also, I sort of had a relationship going with the head of security. Talk about messy break-ups. The last time I saw him, he tried to shoot me in the head." "He?" said Sue. "Come on, Sue," said Pure. "You're an old hippie. You can't be that shocked that I'm gay." "But," said Sue, "You're a Republican.

I don't go around gratuitously shooting people and then bragging about it afterward in seedy space-rangers bars, like some cops I could mention! I go around shooting people gratuitously and then I agonize about it afterward for hours to my girlfriend!

For somewhere," said Poirot to himself, indulging in an absolute riot of mixed metaphors, "there is in the hay a needle, and among the sleeping dogs there is one on whom I shall put my foot, and by shooting the arrows into the air, one will come down and hit a glass house!

If there were only any peace in Egypt I should like it better," said Mrs. Allerton. "But you can never be alone anywhere. Someone is always pestering you for money, or offering you donkeys, or beads, or expeditions to native villages, or duck shooting.

When I went home as a child with my mother, to South Carolina, my grandfather taught me to shoot. He was the old-fashioned kind that believes in shooting—especially where honour is concerned. My father, too, he fought several duels as a young man. He was a good swordsman. He killed a man once. That was over a woman. So you see, Monsieur Poirot"—she met his eyes squarely—"I've hot blood in

It was a wartime story, goodies versus baddies, lots of explosions and shooting. The Germans always shouted 'Aiiieeee!' as they died. Atkins wondered what he would choose, confronted with similar circumstances. 'Aiiieeee!' seemed to him to lack the necessary gravitas and originality, as well as sounding a bit, well, German. But then who knew what might come to mind, in those final moments?

The most creative phase of a film is in shooting, because structure is the defining element of that phase.

I get nervous when they start shooting piano players.

Atmosphere on the sets of 'YHM' is absolutely brilliant. It's kind of picnic always, and we have a gala time shooting together.

A lot of male cinematographers stick a pillow to their stomachs so they have somewhere to rest their elbows while shooting.

I had never been to Boston before shooting the 'Chasing Life' pilot in 2012. I love it there!

I really liked the helicopter pilot in 'Dawn of the Dead', when he gets bitten and comes out of the elevator. That guy was amazing. He did this incredible walk that we didn't even know about until we started shooting.

I know that some people think differently about pilots, but I really enjoyed shooting 'Awakening'.

I wanted 'Night of the Living Dead' to look naturalistic, but we weren't able to do it because we were shooting with a blimped 35mm camera, which is automatically static.

I just had my 30th birthday and we went turkey shooting. It's what I wanted to do, so we went.

Cameron Crowe can write dialogue and shoot it with warmth and humor like nobody else.

When we were shooting 'The Book Thief,' I was keeping all these journals. And I remember talking to my mom, really trying to verbalize all the experiences I was having. And I remember my mom saying, 'Ben, reflection is a retroactive process.' When you're going through it, that's the time to just let it wash over you.

The bodyguard's description of the shooting added a detail Poole had never heard before: That white Cadillac didn't just pull up "alongside" the car Tupac and Suge were riding in, Alexander said, but was actually a little bit ahead of the BMW when the killer opened fire, allowing him to shoot at an angle that made it possible to avoid hitting Suge with a stray bullet.

I never shot much when I was a kid, but on the spotting scope, understanding the ballistics and the calculations, I'm a ten.

I think Luis Suarez, not just with the physical side of his game but his capacity to shoot with one touch in the box, knowing where the goal is is great.

During shooting, you have the idea, like, of this certain dress on this actress, but it's not to fit, so you have to make all of these alterations and modifications. So in a way, I build the characters with the cast, and it's sort of custom-made, the whole process, and then you have to make all of these adjustments.