Quotes About Shooting

Nick sat beside Simon, who was at his computer. Marcus stood at attention beside the food. Hale had his feet on the table, reading the morning paper. And someone had given the Bagshaws a gun. 'Pull!' Hamish yelled, and Angus pulled a cord and sent a skeet flying across the deep blue water. A split second later, a loud crack was reverberating across the deck. Kat jumped. Hale sighed. The shot went far wide, and Marcus never moved a muscle.

Hale looked at Macey, who added, "Seven minutes since shots fired." "Kat what's the emergency response tie in Midtown Manhattan?" "Not long enough if they want a clean exit," she told him. Macey hadn't heard Kat's words, but she looked at Hale like she'd read his mind.

You can shoot a gun. You just can't hit anything you aim at.

As for my speed, I'm not the fastest, but just like in other sports, you learn to stay away from your weaknesses and make more use of your strengths: my shooting ability, court awareness, rebounding, and helping out defensively.

There are some problems, and maybe these huge magazines, even, for someone who says, 'Look, I just use an AR-15 for target practice,' but do you really need to be standing there shooting at a silhouette a shot a second or even quicker with that kind of weapon? For what purpose?

As for my shooting, I really think that what I've done since I was little really paid off. That's become one of my weapons even after I've come to the States.

I had a birthday one night on a farm we were shooting on. I walked into the tent, and there were 150 people waiting for me, all wearing masks of my face.

From my experience of shooting 'Tudors' on the island of Ireland, you cannot predict the weather.

We shot the first season of 'Hap and Leonard' towards the end of the summer in Louisiana, in and around Baton Rouge. If anyone's been to Louisiana or comes from Louisiana, they know what the weather's like down there at that time of year: it's unbearably hot for an Englishman.

In Scotland, where we were shooting in June and July the weather was so unpredictable. We would start the shoot on a bright, sunny day and within an hour it would turn cloudy and start raining heavily.

The director took my face in his hands and asked me to show him my teeth, as with a horse. This happened on a Wednesday, and by the following Monday I was shooting.

Viewers don't see more of anchors because we shoot only once a week and it's aired across three months; so, you always feel that a certain person is only anchoring. I've been acting for fifteen years and hosting for seven years, but I haven't done a soap, so a lot of people tend to think I'm not acting anymore.

'Longmire' is an incredibly hard shooting schedule because the locations are usually an hour away every morning, and I come home every weekend. I fly back to L.A. for about 26 hours a weekend, just to touch base back at home. It's a lot of work. It's four really intense months.

When you are shooting in a conventional way, you put nets around yourself. It's very hard to fall and hit the ground. You can always manipulate things to make it not embarrassing. If the scene is a little bit bad, you can polish it or even take it out. You can hide your mistakes.

I'm a portrait photographer that's used to shooting celebrities, and I usually need time and all kinds of lights and a studio to set up my shots.

The knowledge you have through so much shooting, so much work you do, you develop yourself very fast. And because of the success of 'Killing Eve', it moves on to another level and the possibility to get more jobs.

When you open up the court, now the point guards can see, they can score, and they're not afraid to take shots. Before it was like, 'No, don't take that shot. That's a bad shot. Pound it inside. Pound it inside.' And the philosophy has gone a little bit away from that, because it makes sense to do it the other way.

I lost ten pounds while shooting 'Faults' somehow and by the end of the shoot people were basically handing me stuff to eat in between takes.

I've always been able to shoot the ball, so it's just about continuing to work on your shot and shoot the ball. That's the main thing. Got to get those shots up.

For me, it's never really been a road block for me to shoot, it's just a matter of me continuing to shoot and shooting with confidence.

Direction is something that interests me. Even while shooting, I always have conversations with the director to get a better understanding of shooting technicalities.

My high school coach used to tell me there's no correct way to shoot, that the only correct way was to get the ball into the basket.

All truly great shooters - Dale Ellis, Larry Bird, Craig Hodges, Chris Mullin - we always believed that we were the best shooters in the world.

I'd read so much right-wing crime fiction where they find the evidence and shoot the bad guy - I thought there must be another approach.