Quotes About Impressionists

Trump's hobbled vocabulary is now the incontestable stuff of comedy: not just how few his words but how narrow their range, from boastful to irked and back again. For satirists and impressionists, a president who addresses the American people in abbreviated tweetspeak is a gift.

My favorite places in Moscow are the Pushkin Museum of Fine Art - it has a wonderful collection of Impressionists - the Justo club, and Sandyni Bath, which is the oldest bath house in Moscow.

I remembered some of what I'd read in the past: the small group of the original Impressionists, including one woman-Berthe Morisot- who'd first banded together in 1874 to exhibit works in a style that the Paris Salon found too experimental for inclusion. We postmoderns take them for granted, or disdain them, or love them too easily.

It was a renovated train station housing galleries of famous French impressionists and other artists of the period. Van Gogh's Starry Night over the Rhone, my favorite of them all, was . . . here.

I learned about Chinese ceramics and African sculptures, I aired my scanty knowledge of the French Impressionists, and I prospered.

But Outsider Art is its own context. I don't have to know all about the Impressionists or the Abstract Expressionists. I don't have to be able to fit this art into any historic chronology. I don't feel like an ignoramus. Irony of ironies, I don't feel like an outsider—to fall in love I only need eyes.

In the end, the Impressionists made the right choice, which is one of the reasons that their paintings hang in every major art museum in the world. But this same dilemma comes up again and again in our own lives, and often we don't choose so wisely. The inverted-U curve reminds us that there is a point at which money and resources stop making our lives better and start making them worse.

The Impressionists were better for shunning the Salon. History and experience ought to teach us to be suspicious of Goliaths, because the very thing that makes the giant so terrifying is also the source of his weakness.

His story was almost word for word the same as Caroline Sack's, and hearing it a second time made it plain how remarkable the achievement of the Impressionists really was. They were artistic geniuses. But they were also possessed of a rare wisdom about the world. They were capable of looking at what the rest of us thought of as a great advantage, and seeing it for what it really was. Monet, Degas, Cezanne, Renoir, and Pissarro would have gone to their second choice.

If the technical innovations of the Impressionists led merely to a more accurate representation of nature, it was perhaps of not much value in enlarging their powers of expression.

How few of our young English impressionists knew the difference between a palette and a picture! However, I believe that Walter Sickert did sly dog!

Experience was my only teacher; I knew little of the modern art movement. When I first saw the works of the Impressionists, van Gogh, van Dongen, and Fauves, I admired it. But I had to seek the true way alone.

PARIS WAS IN AN UPROAR. IT WAS THE WINTER OF 1875 AND THE ART world was under attack by a rebellious cadre of young painters who styled themselves the Société anonyme (Anonymous Society), but whose enemies had stuck them with a range of dismissive labels including "Impressionalists," "Impressionists," and "lunatics.

I am a big fan of the Impressionists, and in my school days, I was inspired by Caravaggio, Velazquez and Rembrandt.

Comedians and impressionists used to be two different showbiz animals entirely, but now there's no such thing as a comedian who doesn't do impressions.

Painter after painter, since the beginning of the century, has tended toward abstraction. First, the Impressionists simplified the landscape in terms of color, and then the Fauves simplified it again by adding distortion, which, for some reason, is a characteristic of our century.

The Impressionists had to fight the gallery system for many years before becoming accepted. One of their methods of fighting was to band together and hold their own shows.

I find impressionists slightly annoying, really.

If you think about art, if you look at Rembrandt and Vermeer and Caravaggio, if you look at Turner and Constable and all the Impressionists and the Hudson River School, there's a tradition of light in art, especially painting.

the Impressionists were able to lead the viewer into mixing color in his or her own eye.

Let me add, just in case, that experts on literary "schools" should wisely refrain this time from casually dragging in "the influence of German Impressionists": I do not know German and have never read the Impressionists—whoever they are.

The impressionists, Debussy, Faure, in France, did take a few steps forward.

I love color. When I paint, I use a lot of color. I love art that has a vibrancy of color and compositions. I adore the Impressionists, and I'm influenced strongly by them as a self-taught artist.

Gauguin flew into a frenzy! He held my head under the X-ray machine for ten straight minutes and for several hours after I could not blink my eyes in unison. — If The Impressionists Had Been Dentists