Quotes About Emotion

Why should poetry have to make sense?

My mom used to tell me stories at night, read books to me - and I read 'em over and over and over again. And you know what I learned from that? I went back and looked at everything - Why do I like reading the same stories over and over and over again? What, was I some kind of nincompoop? No - the narrative gave me connection with my mom.

My Latin temper blows up pretty fast, but it goes down just as fast. Maybe that's why you seldom hear of ulcers in Latin America.

What scares me is what scares you. We're all afraid of the same things. That's why horror is such a powerful genre. All you have to do is ask yourself what frightens you and you'll know what frightens me.

I don't know why, it's the same reason why you like some music and you don't like others. There's something about it that you like. Ultimately I don't find it's in my best interests to try and analyze it, since it's fundamentally emotional.

Fear is an underrated emotion. And that's why I think it's very dangerous to try and cosset children from it. A healthy scare is as good as as a healthy laugh. In fact, they're two sides of the same coin. There is a desire to shield from the knocks and bumps of reality.

Identity is part of drama to me. Who am I, why am I behaving this way, and am I aware of it?

I have a raging temper. I'll shout and scream, then it passes like a wicked storm.

I'm obsessed with 'Wicked', and I'd love to play Nala in 'The Lion King'. Some of the songs from 'The Lion King' are performed in my native tongue, so when the cast performed an extract from the show in 'Strictly' in the language I grew up with, it made me cry.

The doors between the old man today and the child are still open, wide open. I can stroll through my grandmother's house and know exactly where the pictures are, the furniture was, how it looked, the voice, the smells. I can move from my bed at night today to my childhood in less than a second.

Eisenhower had about the most expressive face I ever painted, I guess. Just like an actor's. Very mobile. When he talked, he used all the facial muscles. And he had a great, wide mouth that I liked. When he smiled, it was just like the sun came out.

In everything I do, the aesthetics are driven by the emotion. However I can do that with a camera, whether it's a long lens or a wide lens, I'll do.

At the age of five, of six, at the age of seven, I used to begin weeping sometimes without warning, simply for the sake of weeping, my eyes open wide to the sun, to the flowers... I wanted to feel an immense grief inside me, and it came.

You must photograph where you are involved; where you are overwhelmed by what you see before you; where you hold your breath while releasing the shutter, not because you are afraid of jarring the camera, but because you are seeing with your guts wide open to the sweet pain of an image that is part of your life.

Emotional grandeur, rendered in the vernacular, has been Mona Simpson's forte. In her novels, 'Anywhere but Here,' 'The Lost Father' and 'A Regular Guy,' Simpson wrote wide and long and high about the most profound human bonds: parents and children lost each other, found each other, lost each other again, but differently.

With 'Call Me by Your Name,' they locked off the camera and let scenes play out in long, wide shots to make them feel almost voyeuristic.

With 'Richard,' I was excited to make this film with such an amazing role for an actor. Play a wide range of emotion and really invest myself in the character.

What I like about 'Game of Thrones' is that there's such a wide range. We have everything from very small, just solo instrument pieces, just the solo violin or solo cello, and then we go all the way to these bigger action moments.

I look at characters to see if they have some contrasts to play with; I think that's always what I'm looking for in characters: ones that have a wide range of expression.

There's this Frank Wildhorn tune 'Sarah' - it's not a widely known tune, but it's my favorite song to sing.

We sometimes laugh from ear to ear, but it would be impossible for a smile to be wider than the distance between our eyes.

The reason I think the shows I do are successful with a wider public is because they tap into something that's beyond dance and is about being told a story. That's what people want.

When I'm dancing, I'm not thinking about anything. I am here. I am totally there. You know? And the feeling is a sensation of being away from myself. My soul dances with the angels, and my body dances with my wife.

I cannot say for certain if there is such a thing as love at first sight, but I do know that the moment I first glimpsed Winnie Nomzamo, I knew that I wanted to have her as my wife.