Quotes About Emotion

You know when you see a play and there is a character whom you know so well that you hate them and love them at the same time? That is Michael Potts' portrayal of Turnbo in August Wilson's 'Jitney.'

Jeff Wilson goes to a dark place every single game. It's different than it is in practice. You can tell he's angry, he attacks it, he wants contact, he deals contact. He delivers pain. It's awesome. You can just see it in his eyes.

The way I write my songs is that I have to believe what I'm writing about, and that's why they always end up being so personal - because the kind of artists I like, they convince me, they totally win me over straight away in that thing. Like, 'Oh my God, this song is totally about me.'

Every week I look at Liverpool and hope they win.

Anger is a wind which blows out the lamp of the mind.

Speak from your heart, not your head. You speak from your head, you can wind up getting yourself in a lot of crap. You speak from your heart, I think you're pretty safe.

The sensitive artist knows that a bitter wind is blowing.

When I write about a 15-year old, I jump, I return to the days when I was that age. It's like a time machine. I can remember everything. I can feel the wind. I can smell the air. Very actually. Very vividly.

Ever since I was a child I've always been very attracted to melodies. Whether I hear Jeff Beck, a choir, an ocean or the wind, there's always a melody in there.

Any time I wind up in the lane where you can't quickly turn off of it and it's turning into the freeway, I just start screaming until I'm off of it.

Thinking about making a love story without music was really frightening, Sciamma admitted. Because every love story we know, we think about 'Titanic' we think about the music, we think about 'Gone with the Wind' we think about the music, we think about 'E.T.' we think about the music, and every love story has its own tune, 'That's our song.'

I love 'A Mighty Wind.' Even though it's not a funny movie, I think that's kind of beautiful and sweet.

He ploughs the waves, sows the sand, and hopes to gather the wind in a net, who places his hopes in the heart of a woman.

I have never connected with 'Gone With the Wind.' 'Lawrence of Arabia' leaves me cold.

A song is fire. You react to it primally, instantly. You don't have to decide whether you like it, and you don't really have to sit down and think about it much after you're done listening to it. It really does run through you like wind.

I cried when I was drafted by Buffalo... You can't be a great quarterback in snow and 30 mile-an-hour wind.

All of my solos are blues based. Even though a lot of my songs get into pop, I wind up going back to the blues. Trying to escape it is like trying to run from the devil.

With every year that passes, the easier I cry. The wind blows and I find myself moved by something.

I often liken my love life to the pathetic fallacy found in a Bronte novel: a long and winding road tented by storm clouds and rain. Kidding.

I think sexuality is a window into someone's soul.

Jump out the window if you are the object of passion. Flee it if you feel it. Passion goes, boredom remains.

Filmmaking, whatever the window dressing or the scale of a film may be, is eventually about telling a story.

The end of 'City Lights' makes me cry every time I see it - when Charlie Chaplin walks by the shop window and the once-blind girl brings him a flower and pins it to his lapel.

If you clean it up, get analytical, all the subtle joy and emotion you felt in the first place goes flying out the window.