Quotes About Edgar Wright

'Don't Look Now' is a masterpiece. I think it's the best-edited movie of all time. I adore it.

When I did 'Hot Fuzz,' I tried to get Barbara Steele in the movie, but I was told she had retired.

My favorite film of all time is 'Raising Arizona.' I watched it again as soon as it was over. I had it on VHS, rented it, and I watched it and said, 'I want to watch that again, right now.' I think I did the same with something like 'Goodfellas,' which is a completely different genre.

'The Driver' wasn't commercially successful at the time, but when I was a teenager, I had no knowledge of that.

The making of documentaries for 'Humanoids From The Deep,' 'Galaxy Of Terror' and 'Forbidden World' are absolutely fascinating.

The worst thing you can do after a test screening is slash it for the lowest common denominator.

I saw 'Tintin' in Europe - it is 'Indiana Jones' on steroids. Unbelievable. What a fantastic movie. Steven Spielberg, you rock the house. And working with those young English guys like Edgar Wright, and also Peter Jackson; what a great combination.

The first TV show I worked on was with the guys from 'Little Britian,' Matt Lucas and David Walliams, who did a show in 1995 I directed, 'Mash and Peas.'

Usually, if you read a script by somebody else and there's a dense page of stage directions, people just skip through it or speed read it.

All of my films have been very dialogue-heavy, and that's great. It always makes it more of a challenge to market in other countries.

I know it's become an ongoing thing about whether videogames are art, and I think there's plenty of examples of things that use the form in a fascinating way. Things that are more surreal or artistic, like 'Katamari Damacy' or 'Vib-Ribbon.'

Wes Anderson deserves an award for sheer persistence of vision.