Quotes About Shakespeare

Sondheim is the Shakespeare of the musical theater world.

It was an outdoor Shakespeare theater that I grew up at. That feels like home, and the place I'm always trying to figure out how to get to.

I've worked in a few sort of 'institutional' theaters - the Royal Shakespeare, the National Theater in England - and they're hopelessly top-heavy with bureaucracy.

I've done classical theaters. I played Hamlet myself and Romeo.

I want to keep doing interesting work with interesting people in whatever form that may take, but I want to play the big parts of classical theatre; I want to go on stage and play great Shakespearean roles and, at the same time, do amazing, challenging indie films and comedy, and I want to do it all. I am greedy.

My parents would always take me to the theatre, and I was bored a lot of the time. Loads of Shakespeare, and I didn't know what the hell was going on. And then, when I was 13, we went to see 'The Cherry Orchard,' and it changed everything for me.

I am so far as I am aware not at all influenced by dramatists, expect for Shakespeare, who I have to say, it is impossible not to be influenced by if you hold language to be the major element of theatre.

As an actress and comedienne, I'm a huge fan of he theatre and the Tricycle in Kilburn is my favourite in London. I dragged my kids to a performance of 'Twelfth Night' there, where they handed out pizza. Who knew that all it takes to get children interested in Shakespeare is a snack?

There is in our society a gulf opening up, a kind of cultural apartheid, between those who are brought up to feel our national culture is theirs, to take ownership of it, and enjoy the privileges of that, and those who are completely disfranchised, those - for example - who will never be taken to the theatre to see Shakespeare.

I'm grateful to be working. The most exciting thing for me is that I never get bored - I've done comedy, drama, musical theatre and now Shakespeare.

I do think that, for instance, we've been very lucky to have theatrical careers and be associated with Shakespeare which sometimes gives you a kind of bogus kudos.

Peter Brook's 'Midsummer Night's Dream,' I remember seeing. That was pretty early on. And suddenly, I realized how theatrical Shakespeare is, how alive, how wonderful it is when it's opened up by a great director and a great company.

I think that one of the reasons Shakespeare withstands the test of time is that his themes are so universal.

Life is the tragedy," she said bitterly. "You know how they categorize Shakespeare's plays, right? If it ends with a wedding, it's a comedy. And if it ends with a funeral, it's a tragedy. So we're all living tragedies, because we all end the same way, and it isn't with a goddamned wedding.

You know how they categorize Shakespeare's plays, right? If it ends with a wedding, it's a comedy. And if it ends with a funeral, it's a tragedy.

Oh Blimey O'Reilly's pantyhose...what is the point of Shakespeare? I know he is a genius and so on, but he does rave on. What light doth through yonder window break? It's the bloody moon, for God's sake, Will, get a grip!!

Jessie had never heard you could inherit madness. She thought madness was something that just happened to people in Shakespeare when the wind got up.

For that he was a spirit too delicate To act their earthy and abhorr'd commands, Refusing their grand hests, they did confine him By help of their most potent ministers, And in their most unmitigable rage, Into a cloven pine; within which rift Imprisoned, he didst painfully remain. . . . Shakespeare. The Tempest.

The Greeks had a word for ultimate self-consciousness which I find illuminating: hubris: pride: pride in the sense of putting oneself in the center of the universe. The strange and terrible thing is that this kind of total self-consciousness invariably ends in self-annihilation. The great tragedians have always understood this, from Sophocles to Shakespeare. We witness it in history in such people as Tiberius, Eva Perón, Hider. I

I did my English A level in England, and we studied Shakespeare. I had great, great high school teachers, and we parsed the text within an inch of its life.

What I detest about these books of maxims is that they are so platitudinously true. A la Molière, Aesop, La Rochefoucauld—Shakespeare. They apply to all women, and that must include you too. But somehow it doesn't ring true to me. But it's disquieting.

have taught a high school English class for the best part of a decade, and graded homework every night, and woken up early in the morning to plan my lessons, and read and reread Shakespeare, and sat through enough conferences and meetings for even those in Purgatory to envy me.

I have never ridden a camel. I have taught a high school English class for the best part of a decade, and graded homework every night, and woken up early in the morning to plan my lessons, and read and reread Shakespeare, and sat through enough conferences and meetings for even those in Purgatory to envy me.

Shakespeare has united the powers of exciting laughter and sorrow not only in one mind, but in one composition.