Quotes About Movie

'Jump Street,' I knew we had a great time. It didn't matter, didn't know if it was going to do well.

There are genres I don't care for, and I've never worked in those genres, and then sometimes there are people that I haven't liked and I haven't worked for those people. But if I feel like there's a movie that I would like to go see, I'll jump into it.

I think the physical comedy in action sequences is fantastic. Like, '21 Jump Street' did a great job with that.

For me to get a lead role in a real movie is something to jump at. It's not like I get to do that all of the time.

I wish we had fewer bad words in 'Jump Street.' That would probably be better.

Everything about doing 'Jurassic World' was a dream come true.

I want to be the Bob DeNiro of the Jurassic.

To have a song work for the movie, it can't just be written apart and shoved in. It's got to come out of the action. It's got to talk about the characters, not the story: it has to augment that action.

What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.

I get a lot of dramas, but I'd like to do a romantic comedy type of movie; that'd be a nice step for me. No more screaming or running or shooting... for one movie where I can just be in love with a boy.

You can be the lead in a movie just for the sake of being a lead in a movie, or you can just be in a good movie.

I thought 'Thor' would just be fun.

I want really badly to just be funny in a movie but be close to myself.

Most often the music does end up in the movie, and sometimes there's a point where I wish that it wasn't, just because I think the score would be more effective if there was less of it. But, again, that's not my call.

When they watch a movie and they know that you're in a relationship, you just kind of watch that constantly.

When you put on the glasses in a 3-D movie they just kind of sit there and you forget about them.

The year after I graduated from high school, they came to shoot 'Mr. and Mrs. Bridge' in Kansas City.

I took karate classes for a few years. Taekwondo. I'd love to do a movie role where I could do some karate.

So if they happen to be over the age of 35 and they're male? They're probably going to recognize me from 'The Karate Kid Part II.'

'Revolutionary Road' with Leonardo DiCaprio and Kate Winslet absolutely destroys me. They were both so wonderful in it.

It's always challenging when you're shooting a film. Shooting things out of order and keeping continuity on all levels is always for me the most challenging thing.

What people forget is that every movie that gets made keeps making money for somebody FOREVER.

I think the only value of 'Hotel Rwanda' is the fact that it keeps the Rwandan genocide alive, but as far as content, it's Hollywood.

The Lighthouse' couldn't have been made without this kind of freedom that is allowed to some filmmakers to be able to play around with genre. Jennifer Kent's 'Nightingale' is more horrific than any horror movie - but also, I don't think you could make that movie without this kind of freedom.