Quotes About Movie

When I die, I want to be the only person in the world not to have seen 'The Sound Of Music.'

I was obsessed with 'The Sound of Music.' I always feel nostalgic watching it.

You make the movie through the cinematography - it sounds quite a simple idea, but it was like a huge revelation to me.

I feel like soundtrack music is almost like seeing the movie again, but with my ears.

We were contracted to make a soundtrack album but there really wasn't enough new material in the movie to make a new record that I thought was interesting.

I had Fleetwood Mac on, and Saido Berahino asked me if it was from a movie soundtrack.

When you make a movie with a lot of music in it, you can't always put all the songs onto the soundtrack. They just don't all fit.

I need three million dollars to make a low-budget, intellectual, artistic, exciting, erotic movie with a great soundtrack.

I'd love to do a whole soundtrack to a movie.

Musically, I have my project, '30058.' It's seven songs, like an EP or mixtape, but I call it a soundtrack because I feel like my life is a movie, and all the songs are moments in my life.

I don't think anyone can call a movie like 'I Know What You Did Last Summer' a horror movie. It's a jolt. It's a series of jolts followed by a quick one-liner that's wallpapered with an MTV rock & roll soundtrack. That's not horror to me.

The first record I bought was the 'Edward Scissorhands' soundtrack. I remember being really obsessed with the movie, and all the campiness sort of went over my head because I was so little - it's the same with 'Hairspray.' But I would listen to that soundtrack a lot.

I think it's a big deal to have a great soundtrack for a movie.

I got a movie I'm working on. 'A Gangsta's Pain' was actually supposed to be the soundtrack to the movie, but it got a little delayed, so the movie is going to come out after the fact.

I have the soundtrack for 'A Clockwork Orange,' which is kind of cool. I guess I don't really end up buying a lot of modern soundtracks. Another soundtrack I love is from a French movie called 'Betty Blue.' it has some really melancholy piano work.

Being on United Artists was almost as bad as not being on any label at all. They were the crappiest in the business. All they did was movie soundtracks. Now, they were making an effort to become much hipper - signing people like Bobby Womack and what have you.

When you think of the 'Exorcist,' you think of Linda Blair and pea soup and all this madness, but really if you look at the first half of that film, the stuff between her and Ellen Burstyn is so naturalistic and so real.

A movie is not a book. If the source material is a book, you cannot be too respectful of the book. All you owe to the book is the spirit.

So it's a source of fun and a source of pride to have been a part of this little movie that could.

'Peter Pan' is a beloved property. It's a property that was brought to the screen many, many times before, so one has to not only justify the reasons why one might make a 'Peter Pan' movie in 2018, 2019 or whatever, but you also have to do justice to the source material.

I got my SAG card on my first movie, 'Goin' South,' with Jack Nicholson in 1978.

For two years, I was without a movie down South, and 'Department' proved a disaster; people don't even remember the film.

Well, it's like my movie, 'The Apostle.' Some people in the North don't get that movie. They think that, in the South, if you don't shout, you can't play one of those guys.

Many years ago, I was a producer on a movie called 'My Dog Skip.' Willie Morris, the great southern writer, had written the book. We had adapted it and taken 17 years of his life and compressed it into one year.