Quotes About Movie

I love vampire stories. That's why I did the movie. Women especially were taken with that movie-even more so when it came out on video.

The summer before I went to culinary school, my family wanted me to take a job on a movie to make sure that I was making the right decision. I think they hoped I would change my mind about culinary school.

It's like, if you can't focus on a movie for 90 minutes without looking at your phone, then don't go to the movies! You've got some issues, so you should probably stay home and work on those issues, and not distract everyone with lights, and sounds, oh my gosh, the tapping on the screens, it makes me crazy!

Life's generally artless, but it does get these occasional hard-ons for plot. It connects things, nefariously, behind yor back, and before you know it you're in a final act of a lousy movie. A lousy horror-movine, usually...

Not even in a movie had I ever seen a wife with a journey of her own. Marriage was always the happy end, not the beginning. It was the 1950s, and I confused growing up with settling down.

there is no end to the cancerous seeds of treason that well-placed movie Reds could plant—subtle satires and attacks on America, subliminally planted so that the public and right-thinking movie people would have no idea they were being brainwashed.

When a movie is about to come out on its initial debut, there are a lot of people involved - the financiers, the studio and the producers and also, many times, the foreign distributors. So it is a time of tremendous pressure and uncertainty.

One of my uncles took me to my first movie in a cinema - 'Indiana Jones and the Last Crusade.'

When I see a movie with someone it's kind of uncomfortable.

We write and write and write until we think, 'If we have to shoot this script, we'll be happy, and it's going to be a great movie.' I meet with all the actors two weeks before, and I ask them, 'What lines don't work? What is uncomfortable for you? What jokes do you think aren't good? If you're not getting it, here's what the joke is.' You fix it.

I would say 'American Werewolf in London' is like an unconventional buddy movie: even if the buddy dies 20 minutes in, he still remains throughout the picture, and their partnership is one of the best things in the movie.

Music can help uncover that tone that's in the fabric of the movie. Sometimes it's very plain to see, sometimes it's not.

You remember Donnie Brasco? It's the most notorious undercover movie ever; it's so street and so real. If you ever imagined yourself doing cop work, you imagined yourself getting pushed to that limit - seeing the furthest you can push yourself while still upholding the law.

When I first met the world, basically, or introduced myself to people, I was in 'Superbad,' and I feel the same way I felt promoting 'Superbad' in an underdog style that I feel promoting 'Moneyball.'

'Dierdre And Laney Rob A Train' is sort of an underdog movie.

I don't underestimate audiences' intelligence. Audiences are much brighter than media gives them credit for. When people went to a movie once a week in the 1930s and that was their only exposure to media, you were required to do a different grammar.

Often, American audiences are underestimated by producers and movie studios. They often think we're dumber than we are.

I met Tupac pretty much right after he did the movie 'Juice,' so he was already with Digital Underground, but he was on his own rise at this time. He was very humble, down to earth, a very cool guy.

I went to underground music studios. In the studios, I learned that you can make a movie without a permit.

The thing that makes a great genre movie is one that's not just entertainment, not just horror or sci-fi or whatever. The ones I love are the genre pictures with some subversive message underlying it all.

I wasn't trying to top Pulp Fiction with Jackie Brown. I wanted to go underneath it and make a more modest character study movie.

His work isn't all glower. Even though he hasn't smiled in a movie since the underrated 'Proof' in the early 1990s, Mr. Crowe is given to a hurt swallow when he's uncomfortable and to a look of suffering in his eyes.

Tim Burton is underrated. I loved Big Fish, loved that movie, think it's the best movie of the year, hands down. Really impressed with that.

I did my first movie, 'The Mambo Kings,' in America without speaking the language. I learned the lines phonetically. I had an interpreter actually just to understand directions from my director.