Quotes About Movie

I would wanna be in the sequel to 'He Got Game.' I would definitely want to be like, in the part two of that movie.

You don't get music in your daily life, do you? Even in a movie, it's unnatural to have music. I always feel it's unnatural. But I want to make it not unnatural, to construct reality in another sense.

I have always wanted to work in the theater. I've always felt the glamour of being backstage and that excitement, but I've never actually done it - not since I was in 5th grade, really. But I've had many plays in my films. I feel like maybe theater is a part of my movie work.

I actually have great respect for the professionals on both sides, journalism designers in the fashion industry, and I wanted to make a movie that celebrated what they did as much as poke fun at the challenges of their lives.

I wanted very much to do Traffic and at one point it looked like I was going to work on it. And then, of course, Catherine Zeta-Jones had her relationship with Michael Douglas and it suddenly didn't happen.

I would love to be in an action movie. I've always wanted to play the hacker guy - like, the Jewy hacker guy who just gets yelled at.

We didn't want to make a movie that excluded any fans. 'Venom' fans actually are of all ages, and so we wanted to be inclusive to all the fans that were excited about the movie.

To do a 75-minute movie about SpongeBob wanting to make some jellyfish jelly would be a mistake, I think.

I always had all of these childhood fantasies about wanting to invent things, like a spaceship or a time machine. And everyone's imagined what it would be like to go back in time and change things, to see what would happen if you had a different life. 'Back to the Future' fulfills all of those daydreams. It's the perfect movie.

I also care that the public are getting their 12 dollars worth when they go to a movie, and that they're not coming out not wanting to ever see a movie with me in it again. I don't care what people think of me as a person, but I do care what people think of my work, and whether I'm investing enough into it.

I also care that the public are getting their 12 dollars worth when they go to a movie, and that they're not coming out not wanting to ever see a movie with me in it again.

I started my career wanting to make a 'James Bond' movie, and I couldn't get hired! I made 'The Bourne Identity,' and ultimately the impact of that film was that it changed the 'James Bond' franchise.

What I would like to do is a thriller. I've been wanting to do that for a long time, but one that was not at all dependent on special effects. Just purely psychological, but will scare the hell out of you. That's what I would like to do. I have not found it yet.

I think wardrobe is a really important part of making a movie and developing the character.

My new movie, Fools Rush In, is a romantic comedy and the girl I play in that is very warm, very sweet.

My purpose is to make a movie to make you warm. To give you some heat. Now, this rational world has become a place where only what is cool is good. Do you cut the movie on the basis of the beat of modernity or the basis of the beat of your own heart?

I made 'Enemy' to prep myself for 'Prisoners.' I had the need to direct something smaller in English before going to Hollywood. That's the way I sold it to Warner because they asked me if I was berserk to make a movie right before.

For years, Warner Bros. was trying to get me to make a movie about Howard Hughes.

Warner Bros. got into television very early, so I did a lot of television there. In the beginning, it was sort of okay to do television. But then it became this thing where movie actors didn't do television - they certainly didn't do commercials, because that just meant the end of your career.

The big one I missed out on was 'Cat on a Hot Tin Roof.' MGM wanted me for it, and Warner Bros. wouldn't give me permission to do it.

Warner Bros offered me the next Batman, and the only reason that I didn't do it was because of The Saint.

The reality is that every movie is a new business. Nobody says, 'Hey, let's go down to the Pantages Theater, I hear a Warner Brothers picture is playing there.' Or, 'Let's go to this theater, I hear the film came in on budget.' It'd be ridiculous.

I did an adaptation for a movie called 'The Devil in the White City' by Erik Larson for Warner Brothers. I love that book.

The little bit of buzz around 'Warrior' led to a lot of opportunities anyway, before the movie even came out.