Quotes About Movie

It's hard enough to get any movie made, and when you take on these tough genres - and I've done it a couple times - it just makes the whole struggle more.

I cannot tell you that I ever fell in love with the theater as an audience. I fell in love with the theater as an actor for a period of time, but I have struggled as an audience, and I struggle more now than then. I was always a movie guy.

'Prom' is a movie that follows a bunch of high-schoolers' lives leading up to the prom, the climax of the movie. It focuses all their struggles and the social pressures that prom creates on their lives.

The rare opportunity of writing music for a movie about the making of 'Mary Poppins' was impossible to ignore. The fact that it could provide emotional content in relief of the struggles that the Sherman brothers and Walt Disney endured was reason enough to take on the challenge.

It's not that I'm opposed to doing a big-budget action movie. But it has to be the right project.

There's always chatter about a 'Chuck' movie. So nobody's opposed to it. It's just a matter of getting everything lined up.

They actually bought me for Daredevil 2, but they have to exercise the option.

I kept thinking, 'How do you make a modern musical?' Then it became clear that I could do it just like a small indie art-house movie, very naturalistically. I could create a world where it's o.k. to break into song, without an orchestra coming up out of nowhere.

I've never been a method actress; I've never been that person that wants to imagine horrible things happening in your own life in order to exploit them for your emotional being in the movie. I'm just not good at doing that.

We've had enough of the generals and movie stars. We want to hear about the ordinary people.

The process of doing a play is an organic one, and the process of doing a film is totally inorganic.

I would call this sport as an organized street-fight. Think of SFL as a Bollywood movie where you will get great entertainment with some action.

I do a lot of cleaning and organizing of the house, and I'm also a big TV and movie buff.

I would like to be a part of a movie which is based on dancing as I think I can showcase my skills completely in a dance oriented film.

Comics have years to explain this stuff, and in a movie, you have to focus on one thing. So it's about kind of streamlining, I think. Some of the most successful origin films actually have a narrower focus.

I have one of the original 'Ghostbusters' guns in my house.

The fact that someone came forward and offered $1.25 million to make a movie was astonishing. We were also allowed to keep many of the original stage cast.

I don't think anybody came into the movie business to be unoriginal and plagiarising and not having an original idea in their brain.

I love New Orleans. I did a movie there right before Katrina.

I've always wanted to appear in a 3-D Movie, that's always been a goal of mine. If you appear in a 3-D picture you are a shoo-in for an Oscar. There's no competition.

It must have been so impossible to think about it and dare to do that, so they feel compassionate for her. I don't think the movie would work otherwise.

I hate when a movie just sort of ends and is so open-ended you feel like it wasn't finished. I appreciate leaving things up to the interpretation of the audience and letting them make decisions about where things will go in the future - but the director has to make a decision; otherwise it is sort of a cop-out.

The first movie was mostly about George and Julia. This one is mostly about me and Catherine and our love story and our whole history. So it's a very different movie.

As great as Ed is, the wisdom out here is that he can't carry a movie. They'll pay him $3 million to be the second banana in Julia Roberts things. But they won't put up $3 million for an Ed Harris movie.