Quotes About Movie

I like the values in Flicka, and I wanted to do a movie my kids could see and be proud of.

Interview With a Vampire' is one of my favorite movies of all time. 'Queen of the Damned,' not so much one of my favorite movies, but it's one of the best soundtracks of all time.

For 'Fright Night,' we really want to convey the fun attitude of the movie and show the intensity of Colin Farrell as a predator. He's not a brooding vampire - he's dark and dangerous.

There was one vampire movie that Gerard Butler was in, 'Dracula 2000,' and they touched on something interesting, but it only worked in the context of that particular movie, which was that the original vampire was Judas.

What I like about the third movie is you get to see a side of Carlisle you haven't seen before. You actually get to see what his vampire capabilities are because there's some great battle sequences. It's my favorite book. Carlisle is holding on to that humanity. He doesn't want to be a vampire.

'Lost Boys' is one of my all-time faves. I just thought it would be great to be a vampire. I remember this movie called 'Once Bitten,' which is about an '80s sort of power girl who became a vampire and was really, like, sexy. Hair like she was from 'Dallas,' shoulder pads, big earrings.

I figured that, if you do a vampire movie in Hollywood, you've made it.

'Lesbian Vampire Killers' was quite embarrassing.

Actually I liked that 'Let the Right One In,' that Swedish vampire movie.

It's kind of a dream to play a vampire in a movie.

When Carpenter was shooting 'Vampires' in New Mexico when I was living there, I desperately tried to get a job working on that film, and I couldn't. So my first job as a PA was on a CBS movie of the week that was shooting next door, and whenever I could, I would sneak over so I could watch.

My favorite vampire movie used to be Bram Stoker's 'Dracula,' but now '30 Days of Night' took its place. I think it's brilliant that somebody would be so thoughtful as to put these vampires in a place like Barrow, Alaska, where there are actually '30 Days of Night.'

I'm writing a movie script about vampires with an animator called Michael Booth.

James Van Der Beek and I go way back. We were in the movie 'Angus' together in 1994 or 1995, so I've known him for a million years.

I think everyone that's from Cleveland knows exactly where they were when the Cleveland Cavaliers won the NBA Finals. I was filming a movie, 'The Marine 5: Battleground,' up in Vancouver, so I couldn't be at the game, but I watched it in my hotel room with my wife - who could care less, by the way, about basketball because she's from Montreal.

I'd been drifting and in a very self-destructive bent ever since my mother died and as soon as I dealt with the grief, for the first time in 10 years, I had clarity and I realized: 'I need to make a movie, now, cause if I don't make it now, I might never do it.' That's what pushed me forward, and I immediately moved to Vancouver.

At 21 years old, I found myself in Vancouver, and that's where I got the part for my first movie. I was sitting in a restaurant, and the director came up to me and asked me to read for his film. I really took it with a grain of salt. It was the creepiest casting situation, probably. It turned out that it wasn't.

I've got a varied taste in films. I love a good horror movie - the first few 'Saw' films for example - but I also like comedies.

What I've learned is sometimes it's good not to have all the same actions and have all the same takes. The variety you provide gives the director later on in post-production the ability to construct a more interesting performance as he puts the movie together.

We released 'The Interview' through a variety of platforms, and we continue to look for other distribution options. Throughout this whole process, we never stopped - not for a single moment - trying to secure a broad release. Our studio takes great pride in continuing to grow the release of this movie and making it a success.

In my forthcoming movie 'Jerry,' I play a funny character, where there is scope for me to perform. I hope people would appreciate my performance. Hence forth I would concentrate on doing variety of roles, rather than appearing in skimpy costumes.

On a really big budget movie you do chemistry reads, and you sort of hedge your bets a little bit more and make sure that these people get along. But on the low budget side of things, I have to trust my gut that when I cast these people, the various elements are going to play together.

I was doing a movie, 'Diana,' and I pulled aside the guy who was making the nose for Naomi Watts and said, 'I'm about to do 'Cyrano.' So he did various Photoshops of different looks that might work. I was really against any kind of 'Pinocchio' theater thing. The way that it's described in the play is this disfigurement.

'Analyze This' is a good movie because Robert De Niro and Billy Crystal are really good. But without the material to put on the play, of course, they couldn't be good. For me, it starts with the writing. I always think that the writer is doing the vast majority of the director's work, in a sense.