Quotes About Movie

I've never found kicks to the groin particularly funny, although recent work in the genre of the buddy movie suggests audience research must prove me wrong.

A Dirty Shame was a crazy movie. I don't understand that movie at all. I don't get it, but I'd work with John Waters again in a heartbeat. He's just a delight.

Sometimes you choose the wrong actor, he could be the best actor ever, but hes not cast in the right part then it doesnt work.

I am so impressed with people who can really make a big movie, a good movie. The amount of work that goes into it is incredible.

The ghost story movie that scared me the most was The Changeling with George C. Scott. I think that's sometimes overlooked, but it's a wonderful piece of work.

I never consciously do any work directly influenced from any movie, unless I'm doing a parody.

The Brothers Grimm came along and I was so desperate for work... Actually I've got to say that I like the movie, I won't apologize for it.

Sometimes, you can feel or see how a movie can... how you can do it. Sometimes it's just like seeing, "Can that work? Will people buy that? Can we do that?" And all those checkmarks.

Blood, especially fake, and guns, this is bullshit. It works in the movie, but on set it doesn't work for me.

The movie [Chicken with Plums] is very delicate, and you need to have people around you that understand what you're doing, otherwise it doesn't work.

I stuck around in Hollywood for too long. I was there a long time, and when I left, I was smart enough to realise that what I was leaving was not just the movie business. I wanted to get rid of the whole atmosphere.

The nice thing about the theatre is you can always change it. With a movie, once it's there, you're stuck with it.

'Sairat' is such a consuming movie, so I was stuck into its story. It has such a poignant end that I was quite moved by it.

My daughter was never offered 'Student Of The Year 2.'

My first-ever job in the movie business, I was an art student at Carnegie Mellon, and they were shooting the movie 'Gung Ho' in Pittsburgh, and I worked as an extra for a few days. Michael Keaton bumped into me in one scene, and it's in the movie. And I worshipped him.

'Mary Poppins,' the movie, was an object of mockery if you were a student in the '60s, something to be laughed at.

I remember when I saw 'X-Men' the first time, I was living in England as an exchange student, and my first boyfriend, who's an Englishman, made me watch the movie... He was very jealous that I liked Hugh Jackman so much.

I always say I thought I was making this exciting action movie but I actually always end up making character studies. Every single one.

Well, the Empire State was about 40' high in the studio. King Kong was a little model about 2' high, and the scenery that he worked in was in proportion to his size.

If you think of movie studio executives, say, as society, then I root for the independent producers.

The difficulty of getting a movie made through a major studio is so extreme that when a movie comes out, everyone should give it four stars because it was accomplished.

I would love to do a big studio movie, just because they're going to put the money into distributing it. A lot of times you do these little movies, you love them and they never get seen by anyone.

Everything about it worked, and I don't mean just the movie, but in our experience, we realized there's also a component of luck involved in this business. We had absolutely the most competent people in the studio working on the release and ad campaign.

It doesn't matter if you're doing a studio movie or you're doing an independent movie. When you get to set and you're doing a scene, it's always going to be the same job. I really don't think about my career, in terms of planning it out and what this does for me.