Quotes About Movie

My favorite comic book growing up was 'Thor.' It was one of my three, favorite comic books. Obviously, Marvel is such a huge name, but for me, to book a role in a Marvel movie, and for it to be 'Thor.' When my manager told me I booked 'Thor,' I literally didn't know what to say.

That's the best thing about being an actor. If you're in a baseball movie, you walk away knowing way more about baseball, or if you're in a sci-fi film, you learn way more about Comic-Con, and so I loved all that.

I loved 'Deadpool'. I loved the comics, and I loved the script.

I never really think about what people are going to think of the movie afterwards. Or what people are going to call me. I just want to make a great project, and my focus is really all on that. And then I really don't read reviews. Like, you know, go on comment boards or anything.

In my pre-quarantine life, I would watch maybe, like, TV here and there, but I would never really fully commit to an entire movie because I can't really sit still for that long.

My buddies all still make fun of me about the whole 'Leprechaun' thing, and I'm proud of that movie. I'm just as proud of that work as I am of anything else that I've done. I feel like where I was in my career at the time, I committed to the character.

It's never been written about, but before the blacklist of Dalton Trumbo and the Hollywood Ten, there was a de facto blacklist by Communists in the movie industry, and there were a lot of them.

'Longtime Companion' was really the first movie that I know of that addressed the problem of AIDS. This was back in the '80s that we did this.

The makers of '21 and Over' have been screening it, and I'm getting a lot of comparisons to a young Vince Vaughn.

What should be driving the conversation is: What's the story? What's the movie about? Is it a compelling story? And if it is, then you make it regardless of the color of the people behind or in front of the camera.

I have no complaints about 'The Walk.' I made it, and I'm very happy with what happens.

It's a very fun project as a composer to work on a movie that has music in its core.

To make 'Sound of My Voice,' we had to conceive the entire world and understand it holistically. If you want to show less in a movie, you've got to figure out more.

Whatever big movie I work in, ultimately my concern is my personality. I make sure that I keep it up.

'L.A. Confidential' was written with me in mind, but Russell Crowe got the part. Go figure.

A movie can't change anybody; it can only confirm what you already believe.

'Confirmation' is the movie I'm super proud to be a part of.

I would like congratulate everyone who was a part of 'Life of Pi.'

I wasn't really conscious about 'The 39 Clues' movie when I wrote 'The Black Circle.'

Normally in spy movies, the person that the hero deals with is at the centre of power, surrounded by video screens, and they're old and grizzled. I'm no stranger to that dynamic.

When you have a major movie star, and then they're surrounded by local extras, it takes me out or makes me more conscious of what's going on, as opposed to losing myself in the movie.

In every Kubrick movie, there is so much great thought put into the surroundings. It's almost like the sets are huge characters in the movie at all times.

'm really proud of it. To me, it's a movie about character behavior and the pecking order of the pack, as well as the central character's massive survival guilt.

There are certain rules one must abide by in order to succesfully survive a horror movie.