Quotes About Movie

I'm sure many more people saw 'Hush' in the first weekend it was on Netflix than saw 'Oculus' in theatres.

A movie needs to have a must-see quality among the people you are targeting. Also, make movies at a responsible budget so that if you attract your core audience, and they show up in the first few weekends, the economics will work.

I mostly travel on weekends, so weekdays end up being my break days. At home, I'm super lazy. I eat, sleep, watch a movie and chill with my dog, Frodo.

Filming a movie is different from a TV show because film is a lot quicker, you get to see the character progress and grow all in one script, and in television, you wait for a weekly update on each character.

I loved it, it's such fun. I like that people are seeing it and then talking about it. Like when I took my son and his friends to see Napoleon Dynamite last year, we spent the next six weeks trying to explain it.

A lot of times in this business, it's so transitory - it's just 10 weeks here or there on a movie and then it's over - but to see the same people over all that time, a decade, makes you feel really safe and secure.

I don't want to admit it, but I do enjoy the feedback from the audience. It's instant feedback. It's like, you could do a movie, shoot it for a year, wait six months, it comes out and you gotta do three weeks of marketing. Three weeks of that, and everyone goes, 'It sucks.'

I'd seen the movie 'Paranormal Activity' and was convinced for weeks that it was real.

Have I seen The Commitments? I was obsessed with that movie. I just watched it again about two weeks ago.

I turned down a movie this summer because it was nine weeks in Vancouver and my oldest daughter is 14. I've got four more summers with her. I'm not giving away nine weeks of her summer to go do a silly movie.

I like to do a movie, to be on it 8, 10 weeks. It evolves as you're working on it. Little things come to you every day. It's a slow process, and when you have to pack it into a short period of time, which you do for television, the experience is not one that I cherish. So if it's going to be television, it's really got to be the right thing.

I was working at a restaurant, I booked the role in 'Twilight,' put in my two weeks' notice, got fitted, flew to Portland, filmed, and then it started getting hype. That helped me get my foot into certain doors before the movie even came out.

When you do well in a movie that's seen as really great, you're revitalized for six weeks.

You really can't say enough about 'Blade Runner.' For that movie to have such a long life - you can't describe what a beautiful feeling that is. Initially, the movie was out of theaters in something like two weeks. But the people that wanted it back - the fans - they really saved it.

I had to do the full body shave for the first coupla weeks of 'White Chicks,' then I said, 'You know what? I'm just gonna be a hairy white chick 'cause this is too much!

It's hard to make a good movie in four weeks. It's hard. I've done it, but it's not easy.

'Real Steel' was this lovely little piece where I held a cup of coffee and talked to Hugh Jackman for three weeks. And that sounded kind of nice.

Rarely do I do film press because I'm so low on the food chain of the movie, and for me it's just this thing I did for four weeks before the next tour started.

I do like the whole idea of going to a location to shoot a movie, and there is a start date and a finish date, and a lot of special things happen within those weeks.

I tried martial arts classes for three weeks, but I quit because you actually get hit. I just want to do the movie kind of martial arts.

I did nine months in 'Mrs. Klein' in New York, then four months on the road. Then I did a movie directed by Philip Haas, who did 'Angels & Insects'. We shot 'The Blood Oranges' in Mexico for six weeks.

It's a nice visual. I had just done Blade and I put on more weight for Blade and I thought I might as well use it so I kept it and added a little more. I wanted him to be a big bear.

I did four movies where I gained, like, fifty pounds. I had curly hair, and I had all of this facial hair. I had put on all this weight for these movies, and I did four or five of them back-to-back. Then I cut the weight and I got fit again. I cut my beard and I took away the mustache, and people were like, 'What are you doing?'

I felt very vulnerable after 'Sleeping with the Fishes'; I gained weight for the role. I felt a bit out of my skin in the movie, and it was hard to watch.