Quotes About Movie

I did see 'Zoolander II,' and I thought it was a cool movie, but I liked the first one way more.

It was really an experience, being my first time directing a movie. The scenes that I was in, Brooke really directed me all the time. And the scenes that both of us were in, Brooke directed those. Come to think of it, Brooke directed most of the scenes.

Asking the government to fix our economy is like asking an editor to fix a movie, but in this case, the editor's not even of one mind.

Because I am afraid of commitment. This movie certainly has some bearing and is some reflection of my real feeling about relationships, because I do have commitment issues. My friends tell me I have intimacy problems, but they don't know me, so who cares what they think?

Who cares if a movie star has an opinion unless the person is very well informed?

But you don't hire Ang Lee to do a typical children's movie. But it's such an interesting combination, whoever thought of getting Ang together with a comic book, that was just great.

Doing a movie about Steve Jobs is just generally a provocative thing to do, whoever does it, and it begs a lot of questioning and skepticism only in that, what is this going to be? What am I going to be looking at? And curiosity as well. I think that's all positive in any film, because you want people to be curious about it.

I was in 'The Postman Always Rings Twice' with Jack Nicholson. That was fun. I think I made, like, $33 or something. I got to miss a whole day of school, and when you're a little kid, that's cool.

In 'Notting Hill,' I was part of a whole plot line over six scenes that was completely taken out. That was rather depressing.

When we were filming 'Twilight,' we didn't expect anything. We were just filming a movie that we wanted the fans to enjoy. And then it kinda just blew into this whole other world.

I love the work that goes into making a movie and creating a different world. It is a wholesome experience.

We are trying to build a family image of wholesome movie entertainment.

Having grown up Protestant, I was unfamiliar with St. Francis. Then I watched the movie 'Brother Sun, Sister Moon'... I just became fascinated with the character of St. Francis. What I saw in that movie was a man who had fallen in love with God, someone for whom God was everything.

Back in the late '90s, I put together a humorous newsmagazine program called 'The Awful Truth' for Bravo. We helped one guy get an organ transplant whose insurance company had refused to pay. I thought, if we could save a guy's life in a 10-minute segment on cable, what could we do if we devoted a whole movie to a whole bunch of people?

'The Dictator' lands somewhere between wan Mel Brooks and good Adam Sandler, whose 'You Don't Mess With the Zohan,' about an Israeli Special Forces soldier at a hair salon, manages to strike better contrasts with vaguely similar culture differences - it's a nuttier movie, too.

I never feel so utterly fraudulent as when I review a movie whose charms impress all in the world and I simply do not get it. The other variant is that I love something the world disdains. This has had severe career consequences: I am still famous - or notorious - in certain quarters where I am recalled as the man who liked 'Hudson Hawk.'

I'm really proud of Twilight. I think it's a good movie. It was hard to do, and I think it turned out pretty good. But I don't take much credit for it. So when you show up at these places, and there's literally like a thousand girls and they're all screaming your name, you're like, why? You don't feel like you deserve it.

Why if I had half a chance, I could make an entire movie using this stock footage. The story opens on these mysterious explosions. Nobody knows what's causing them, but it's upsetting all the buffalo. So, the military are called in to solve the mystery.

I don't know if I'm going to do any more acting. It's a great job, you know? Make a movie? Why not?

People that went to art house theatre have more options, I used to go, but now think any movie can be delivered in a red envelope three months after it's released so why not watch it on my flat screen in the comfort of home.

What's frustrating to me is when, on a low-budget movie, people don't take chances. A big-budget movie, that script's your bible; nobody's going to risk going off the page. But when you're doing a very low-budget film, why not take some chances, intellectually, artistically?

It wasn't the greatest script in the world, but not many people can say they've played a wicked king in a swashbuckling Arthurian special-effects monster movie.

I'd like to do Glinda in a movie of 'Wicked.' That'd be my dream.

Storytelling is the only studio movie where the censorship is perfectly clear, the only studio movie with a big red box covering up a shot. I take pride in that - and, of course, in having avoided the fate of Eyes Wide Shut.