Quotes About Movie

Every great movie is about the people, even if it's a great popular success like 'Gone With the Wind.' It's really not about the Civil War. It's about Scarlett and Rhett. That's who you go to see. You're not going to root for the North or pull for the South, or, you know, it's the people you remember.

I've never seen 'Gone with the Wind.' I don't know if that's something to be embarrassed about, but I know that I should have seen that movie by now.

At the end of the first Halloween, when I shot 6 bullets into Michael Myers, John Carpenter said, Let's get a shot of you looking out of the window and seeing no one lying there.

I find that if I'm watching somebody upon television or in a movie that is on a window ledge or in some high precarious position my hand starts sweating and I get that crawling feeling in the soles of my feet.

For 82 minutes, 'The Little Mermaid' reclaims the movie house as a dream palace and the big screen as a window into enchantment. Live-action filmmakers, see this and try to top it. Go on and try.

I'm a big Batman fan; to be honest, to be a part of any superhero movie would really fulfill all of my childhood fantasies. If I could get beaten up by Batman, and just be part of the franchise, even getting kicked through a window would be great!

There's something about seeing a movie that you like, and being able to see the scenes that didn't make it, just as a window into the process of how choices are made and how a movie is made. To me, the idea of getting to have the scenes on the DVD is very exciting.

Theoretically, I could do a movie, but the window is so small, it's very difficult to get timings right and find the right project you love, and they love you back.

Sometimes when you really try to be earnest, everything disappears. If you really try to make a romantic movie, the first thing that goes out the window is the romance or real passion. It suddenly becomes cute-ville or cozy-ville. It's another world other than life.

I remember laughing an inordinate amount of time. Setting up scenes that involve ooze coming out basements, or pigs' heads flying through windows is really fun. How could you not laugh?

Blythe Danner is somebody whose career I admire. She's a great actress and does good work, but also has a life of her own. I love my job but, at the end of the day, I want to come home and watch a movie and drink a bottle of wine with my husband.

On the first 'Indiana Jones' movie, I tore an ACL in one of my knees - can't remember which knee. The scene in which I was fighting the big German mechanic on an airplane called a flying wing, I was run over by the landing gear and injured my knee, but I can't remember which one it was. Lots of bumps and injuries along the way.

In 'Hell Ride,' I play a biker - it's about the bikers. It's with Dennis Hopper and Michael Madsen, Larry Bishop and myself. We're bikers, and I play Billy Wings; I've got all sorts of wings, and you have to watch the movie to find out what the wings are about.

Professionally speaking, the proudest moment was when I booked the 'Human Stain.' I knew it had Nicole Kidman, Anthony Hopkins, Ed Harris and Gary Sinise on board, and the director Robert Benton was an academy award winner for 'Kramer vs Kramer.'

'Winner' is a commercial family entertainer with a strong emotional core. Teju couldn't hold back his tears after watching the movie. The horse race portions were mostly shot in Turkey.

I try not to repeat myself too often, but it's a gamble. 'Fred Claus' had three Oscar winners in it. No business - it was a bad movie.

'The Theory Of Everything' was a charming story, but I never dreamed it would turn out the way it did, winning all sorts of awards, and I don't think anybody working on it did.

I think for us - the Weinstein name, the Miramax name - they've both become synonymous with brands. We have a real winning formula when it comes to championing a different kind of movie, and I think the audience trusts us.

When we were making the movie, winning awards for it wasn't the point at all. We didn't even have an American distributor.

So I think that in the beginning of your career you're just looking to work. Luckily for me, my first movie was 'Rabbit Hole' and I got to work with incredible people, a Pulitzer prize winning writer, John Cameron Mitchell, and all the actors involved. So it's tough, man, because you want to have credibility.

I spent two months in Fredericksburg, Texas, when I was 8, while my father shot a movie, and I loved it. I just embraced the whole cowboy culture. I got myself a pair of awesome boots and a cowboy hat.

I began with small roles in successful movies like 'No Country For Old Men' by the Coen brothers; but it was 'The Last Exorcism' that changed my life: with what I earned, I left Texas and moved to Los Angeles.

'Texas Chainsaw Massacre' is just one of those movies that's like a page of history. You can't really go wrong. It's a prequel. It's not like number three. Which is really cool, to be the before as opposed to the after.

I was skeptical about doing Texas Chainsaw at first because it's such a cult classic. I'd seen some of the sequels and was not a fan of those.