Quotes About Movie

I guess historically, drag queens were imitating movie stars and luminaries. It's kind of nice to have a movie star imitating a drag queen.

I didn't know Charlie before doing the movie, but I was a huge fan of the British Queer as Folk.

I wouldn't want to lose out on my macho action movie just because I told people I was queer.

I remember watching Quentin Tarantino accept an Academy Award for screenwriting for 'Pulp Fiction.' If I'd known then that 15 years later one of his movies would again be nominated for an Oscar and I'd be in it - that would be pretty crazy.

I felt that I shouldn't be an actor who just makes movie after movie in a quest for prestige and money.

'Let the Bullets Fly' indeed attracted an audience, but how it did this is also a question for me.

There's a feeling of despair for some, but that's not what we wanted. Because the whole movie is without dialogue, it's more a question than an answer. We wanted to make a question mark so people could project what they wanted onto 'Electroma' - some people see it as sad, some as happy. Everyone is different.

If you find yourself in a movie that you have questions about, it's not a compromise to your integrity.

What I remember about that experience is that if you went to go see ' Born On The Fourth Of July' and you happened to take a bathroom break real quick or grab some popcorn, you probably missed me. It was short, but it was memorable.

I did Phone Booth, and that was shot very, very quickly, but that was Joel Schumacher, who's shot so many movies that, if anybody can figure out how to do it in a couple of days, it's him.

Quite often, I'll be sent a script for a movie. And I find that I like it, so I say I'll do it. But then they rewrite it for me. They make it quirky. Odd. I find that rather annoying. I call it Walkenising.

Americans love popcorn, and their love doesn't quit.

I directed a movie back in the '90s which had calf roping in it, and I got into it quite a bit back then.

I've had a lot of creative license; I improvise quite a bit. There's a lot I like to do that satiates my creativity, but at the end of the day, I just want to make the guy or gal happy who's directing the movie.

I began to think, now is the time. I found quite a lot of opposition in Hollywood about the idea of doing a film musical and we ended up having to buy the rights back. I'm glad we did because it meant John and I were able to make exactly the movie we wanted.

So you can say whatever you want and quote me however you want about politics and make the next payday, and that's fine because I'm making that deal with you, but just mention the movie along the way, OK?

I will watch a movie that is quote unquote dark and not get the qualification of what is dark and what is not.

I can quote every single line in 'The Big Lebowski' from start to finish. That's what happens when you see a movie two dozen times.

I loved doing Judge Doom in 'Who Framed Roger Rabbit.' I'm constantly running into people who saw that movie when they were kids, and it absolutely horrified them.

If people want to watch a movie about a fox and rabbit becoming friends and turn that into an evil, agenda-pushing practice, then what can you say?

Who Framed Roger Rabbit' is one of my favorite movies of all time, and in fact it is maybe the first movie that I really loved in an adult way.

Any time you have people of different races in a movie that's about America, there's going to be a racial component.

I was recommended for the role in 'Sharmeelee' by Sunil Dutt who admired my performance in 'Sawan Bhadon' and 'Reshma Aur Shera.' 'Sharmeelee' was a movie I did at a time when my career base was just building and back then I never expected it to become such a rage.

I'm a De Niro fan. I went eleven years without seeing a movie; the last one before that, February 1980, was De Niro and Scorsese in 'Raging Bull,' and when I went back, it was 'Cape Fear,' with De Niro and Scorsese. I picked up right where I left off at.