Quotes About Complexity

I'm interested in characters that have just a touch of madness.

I know Dark Phoenix is a huge part of the X-Men saga, so I'm assuming they're at least going to want to touch on it, but I don't know and I don't know whether I would want to be involved. That depends on many different things.

Architecture is unnecessarily difficult. It's very tough.

I think that's what we like to explore and see on TV these days especially in long form, is complicated people who have to make tough decisions.

There is a tendency in the media to simplify me to the point that I am somehow a tough guy. I think there is a lot more to me.

For me, making a mass film is tougher. A lot of things needed to be intertwined into a two-hour narrative without getting too complicated.

One of the things I love about directing is I love actors, because no matter how complex they are, once you get down to working and talking to them and the toughest guy will want you to open them up and he wants to show you stuff he was afraid to show anybody before.

Goa isn't just about tourism and happy faces.

One of our theories is that one can offset this excessive compulsion toward the spectacular with a return to simplicity.

I love exploring the more complicated side of love. I feel like I've always gravitated toward that.

We are moving toward a global economy. One way of approaching that is to pull the covers over your head. Another is to say: It may be more complicated - but that's the world I am going to live in, I might as well be good at it.

I don't think things are moving toward an omega point; I think they're moving toward more diversity.

I guess I have an affinity towards darkness, the dark side.

Humanity is still advancing; and it will probably continue to advance for hundreds of thousands of years more, always on condition that we know how to keep the same line of advance as our ancestors towards ever greater consciousness and complexity.

I find myself gravitating towards drama. It interests me. In the books I read, the paintings I like, it's always the darker stuff.

People are complicated. Our behavior towards one another is strange. So I like opportunities to investigate that.

In 'Kalank,' I am playing a character, which is quite strong, quiet a little complex yet interesting, that drew me towards the character when I heard the narration from director Abhishek Varman.

I'm not so fascinated by these ingenue roles. I tend to gravitate towards women in plays or shows or films that are more chaotic or have something dire going on.

I've been in this business for years and I'm still befuddled by the ways of this town.

New Yorkers may think they're on some cutting edge, but that's not especially true. It is, however, the most exciting heterogeneous mess of a town I've ever seen.

Those of us who live in Mumbai or Delhi have notions about what women who live in Bhopal, or smaller towns, are like; and that perception is wrong. Some people are scared by how complex and subversive these women's lives can be.

My favorite bad thing about 'Three Billboards' is its ambition to play around with America's ideological and geographical toys.

True-crime shows and podcasts aren't the only ones flattening the complexity of forensic science into easy-to-grasp narratives: journalists do so, too. They say DNA or trace evidence 'matches' a suspect, when scientists can't be so definitive.

It is such a complex matter we live within, it is impossible to track logic and decision making really, so therefore each choice can actually only be seen as coincidence.