Quotes About Creativity

I'm a dreamer with lots of energy and a vivid imagination. That's the recipe for becoming an entertainer.

When I think of Emily Dickinson, there's not one particular poem of hers that jumps out, but I do have a very vivid image of an ill woman with giant eyes who wants to write about the sun exploding.

When I read books, I actually really love imagining whomever I want to in the character's role. I get such vivid pictures on my own that that is a big part of the experience for me.

My daughter has a vivid imagination, and so does my son.

I always had an awful lot going on in my head, always telling myself stories, very vivid imagination.

An artist sees that which does not yet exist. He or she imagines a future others cannot perceive. The artist - and the writer - reshapes reality so that it becomes even more vivid and lasting.

You're supposed to be writing from experience - experience with people, with reading, seeing some homeless guy on the street and making up some story of him in your head. If you never see any of that or have those conversations or even sleep enough to have vivid dreams, then what are you writing about?

I've listened to Eminem rap. That's not daily fare for me, but I can't help but admire how vivid what he does is. My own taste goes a little more toward Norah Jones.

I would love to live in 'The Lord of the Rings.' J. R. R. Tolkien's world is so vivid and rich and sensual. I love the country setting and the routine of the hobbits. Of course, I would like to be a hobbit who goes on small adventures - not huge, horrifying ones like Frodo's quest.

Growing up, I had a very vivid imagination and Leonardo was like my best imaginary friend that I spoke to. When things were tough, or I was scared in an unsafe environment, I always imagined that the Ninja Turtles would come to the rescue.

As children, we have vivid imaginations. We stay up late waiting for Santa Claus, dream of becoming president, and have ideas that defy physics. Then something happens. As we grow older, we start editing our imagination.

I think theater is so undervalued. I have seen things there that have been far more vivid than things that actually have happened.

I just always felt whole when I was writing. I felt this kind of beautiful privacy that I never felt in any other way. I feel like there's this great fullness to being alone, and writing is a really vivid way and a really magical way of being alone.

You have to be very specific with the suggestions of how you want to show things, not just with dialogue but also place and mood. I write all of that as very vivid guidelines so directors can come in and do what they will with them.

I was writing short stories aged seven or eight. I had a vivid, overactive imagination.

The strongest influences in my life and my work are always whomever I love. Whomever I love and am with most of the time, or whomever I remember most vividly. I think that's true of everyone, don't you?

I vividly remember my first 'Superman' comic, which my granddad bought me when I was about 7. From that point on, all I wanted to do is draw comics. And specifically, superhero and science fiction comics. Basically I used to copy comic books, and draw my own comics on scrap paper.

I imagine a child. That child is me. I can reconstruct and vividly remember portions of my own childhood. I can see, taste, smell, feel, and hear them. Then what I do is, not write about that kid or about his world, but start to think of a book that would have pleased him.

Most of our physical education teachers were just teachers, and they had to do the extra stuff on their own. I remember very vividly that they would hold a cane pole between two of the students down low, and we would all jump over it. And they would raise it and raise it and raise it.

When I was 13 years old, I went to visit my aunt and uncle in Washington, D.C., and they just deposited me at the National Gallery. I would go from Rembrandt to Picasso - I remember that experience so vividly.

Of all the restaurants I visited in my childhood and adolescence, it was Michel Bras that I remembered most vividly and it was the chef himself to whom, early on in my cooking, I would make the most references. I don't mean that I tried to cook like him. Rather, that I tried to think like him.

Vintage is my vocabulary... like the notes of a musician.

Some of the ways I write my raps is from my vocabulary I learned in school.

I write. This is what I do. My job is to sit down with my vocabulary, select words, and decide what order they should be placed in an attempt to keep someone's attention and perhaps provide them with a laugh or two along the way.