Quotes About Creativity

I think I'm always so much more happy with books and movies and stuff. I think I get more excited about well-done representations of life than life itself. - Celine

Thomas Wolfe] says that we are the sum of all the moments of our lives, and that, uh, anybody who sits down to write is gonna use the clay of their own life, that you can't avoid that.

To those humans in whom I have faith; I wish suffering, being forsaken, sickness, maltreatment, humiliation. I wish that they should not remain unfamiliar with profound self-contempt, the torture of self-mistrust, and the misery of the vanquished. I have no pity for them because I wish them the only thing that can prove today whether one is worth anything or not—that one endures' . . . Remember, the passion for destruction is also a creative passion.

You know, that's what I hate: when you start talking like this, like you just pull in these things from the shit you read, and you haven't thought it out for yourself, no bearing on the world around us, and totally unoriginal.

I've always liked the minds of criminals, they seem similar to artists.

It's tough, man. Unless it's a tentpole, sequel, remake, or over-the-top comedy, that's all the studios are even doing. They've kind of admitted they're not in the business of doing anything else. The slightest level of irony or intelligence and, boom, you're out of the league, you're done.

The big nut to crack is to how to tell a story, what's the right way to tell a particular story.

In an effort to value and structure time, some of us unintentionally may be killing dreamtime.

I have a soft spot in my heart for tree houses, which have always imparted certain magic and practical knowledge.

I played around our yard some and talked to the fence posts, sung songs and made the weeds sing . . . —WOODY GUTHRIE

There's no denying the benefits of the Internet. But electronic immersion, without a force to balance it, creates the hole in the boat — draining our ability to pay attention, to think clearly, to be productive and creative.

Our lives may be more productive, but less inventive.

Nature inspires creativity in a child by demanding visualization and the full use of the senses.

Nature inspires creativity in a child by demanding visualization and the full use of the senses. Given a chance, a child will bring the confusion of the world to the woods, wash it in the creek, turn it over to see what lives on the unseen side of that confusion. Nature can frighten a child, too, and this fright serves a purpose. In nature, a child finds freedom, fantasy, and privacy: a place distant from the adult world, a separate peace.

Nature inspires creativity in a child by demanding visualization and the full use of the senses. Given a chance, a child will bring the confusion of the world to the woods, wash it in the creek, turn it over to see what lives on the unseen side of that confusion.

Nature offers a well from which many, famous or not, draw a creative sense of pattern and connection.

By the time I left Phnom Penh I could have written a Cambodian cookbook called 50 Ways to Wok Your Dog.

I'm happy, I would say that I'm one of the happiest people I know but I've certainly had periods of profound sadness, depression and heartache and those are the kind of things that are interesting to me to write about.

In the real world, the best architects don't solve hard problems they work around them.

True success in medicine is not easy. It requires will, attention to detail, and creativity. But the lesson I took from India was that it is possible anywhere and by anyone. I can imagine few places with more difficult conditions. Yet astonishing success could be found ... what I saw was: Better is possible. It does not take genius. It takes diligence. It takes moral clarity. It takes ingenuity. And above all, it takes a willingness to try.

Robinson could do with three or four facts what prehistorians achieved with stray dinosaur bones:

Writing seems like the only job where what you think and feel really matters.

In 1829 Rossini was at an age which has often proven critical in the lives of musicians, painters and writers. Lapses into silence far more complete than Rossini's, creative failures, suicides, and unanticipated deaths have been common in the middle to late 30s. As Charles Rosen has noted, 'It is the age when the most fluent composer begins to lose the ease of inspiration he once possessed, when even Mozart had to make sketches and to revise'.

On the Overture of the Rossini opera "Il SIgnor Bruschino" - The sound of the second violins striking the backs of their bows against the metal candle holders shortly after the start of the overture was judged 'incomprehensible' by the Giornale. Rossini feared as much. 'Dio ti salvi l'anima' (God save your soul), he wrote on the manuscript at the end of the overture).