Quotes About Creativity

The difference between one writer and the other, or one director and the other, is the way he deals with a scene.

The books are like children in that having written one doesn't make writing the next one any easier, because it's a new set of problems and a new set of challenges with each one, and having dealt with one before means that you now know how to do it.

My work has always dealt with a kind of space that allows one to daydream.

There's so much to learn in writing and in life, and in any particular era in one's life, it seems like a few concerns have to be dealt with at once or else something really bad could happen. Writing seems like the place to deal with those concerns.

It's really, always, the story and the characters that come first, and the other things are kind of dealt with in time or, in fact, driven by the story.

There is no creative process to come up with a character of Dean Ambrose.

I think that Dean Ambrose is driven to create a first-time-ever, unique character that other people in the future can be compared to.

I love movies and there's something close to me about James Dean - I always wanted to do choreography on him.

I don't need the money, dear. I work for art.

I love music. It's always been very dear to me. It's a big passion.

Even though we didn't actually record it as the Move I had already written a song called 'Dear Elaine', which I subsequently put on the Boulders album. I thought at the time that was probably the best song I'd written.

I think 'Rockstar' is more dear to me than any of my other films.

'Pain' is more indicative of what I like to do. I'm lyric-conscious. I like to tell stories, give advice. Instead of writing a 'Dear Abby' column, I do it on records.

I'm lyric conscious. I like to tell stories, give advice. Instead of writing a 'Dear Abby' column, I do it on records.

I said to Ruth Rendell, 'When you've written as many books as you have, it's easier.' She said, 'No dear, it gets harder'.

You hear a song like 'Wait For It,' you hear a song like 'Dear Theodosia' - if you get one of those songs in a musical - one - it's worth dropping everything to sing that one song.

Mohan No Masalo' is a play very dear to me.

Fritz Lang was one of my dearest, dearest friends. I loved working with him.

There's always this debate about how we need more good films but how many are willing to be part of such films.

A lot of people ask me, did debating help me as a writer, and I honestly don't know.

What is exciting is taking back the excitement of being able to debut something to an audience in exactly the way you want to.

When I wrote my debut album I was around 17, I didn't really know what my sound was or who I was and what I wanted.

They have accepted me as a big debut Bollywood director. So, I should write something brilliant.

Celluloid will be the next decade's black and white.