Quotes About Creativity

Wearing down seven number-two pencils is a good day's work.

The story was writing itself and I was having a hard time keeping up with it.

He wanted to write about country so it would be there like Cezanne had done it in a painting. You have to do it from inside yourself... You could do it if you wanted to fight for it. If you'd lived right with your eyes.

if I had waited long enough I probably never would have written anything at all since there is a tendency when you really begin to learn something about a thing not to want to write about it but rather to keep on learning about it always and at no time, unless you are very egotistical, which, of course, accounts for many books, will you be able to say: now I know all about this and will write about it.

Eschew the monumental. Shun the Epic. All the guys who can paint great big pictures can paint great small ones.

It's this way, see--when a writer first starts out, he gets a big kick from the stuff he does, and the reader doesn't get any;then, after a while, the writer gets a little kick and the reader gets a little kick; and finally, if the writer's any good, he doesn't get any kick at all and the reader gets everything.

Tell him I think writing is lousy, Bill said. Go on, tell him. Tell him I'm ashamed of being a writer.

The best way is always to stop when you are going good and when you know what will happen next. If you do that every day when you are writing a novel you will never be stuck. That is the most valuable thing I can tell you so try to remember it.

Imagination] is the one thing beside honesty that a good writer must have. The more he learns from experience the more he can imagine. If he gets so he can imagine truly enough people will think that the things he relates all really happened and that he is just reporting.

I learned to understand Cézanne much better and to see truly how he made landscapes when I was hungry. I used to wonder if he were hungry too when he painted; but I thought possibly it was only that he had forgotten to eat. It was one of those unsound but illuminating thoughts you have when you have been sleepless or hungry. Later I thought Cézanne was probably hungry in a different way.

Think about after the war and when you will paint again. There are so many good ones to paint and if you paint as well as you really can and keep out of all other things and do that, it is the true thing. You can paint the sea better than anyone now if you will do it and not get mixed up in other things. Hang on good now to how you truly want to do it. You must hold hard to life to do it.

What a writer has to do is write what hasn't been written before or beat dead men at what they have done.

The first draft is always shit.

If you had stars inside your brain cells, you'd probably understand what I am talking about.

For God sake write and don't worry about what the boys will say nor whether it will be a masterpiece nor what. I write one page of masterpiece to ninety one pages of shit. I try to put the shit in the wastebasket.

I would stand and look out over the roofs of Paris and think, "Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know." So finally I would write one true sentence, and then go on from there.

There is no left and right in writing. There is only good and bad writing.

The only writing that was any good was what you made up, what you imagined. That made everything come true. Everything good he had ever written he'd made up. None of it had ever happened. Other things had happened. Better things, maybe. That was what the family couldn't understand. They thought it was all experience. Nick in the stories was never himself. He made him up. Of course he had never seen an Indian woman having a baby. That was what made it good. Nobody knew that.

I've tried to reduce profanity but I reduced so much profanity when writing the book that I'm afraid not much could come out. Perhaps we will have to consider it simply as a profane book and hope that the next book will be less profane or perhaps more sacred.

In going where you have to go, and doing what you have to do, and seeing what you have to see, you dull and blunt the instrument you write with. But I would rather have it bent and dull and know I had to put it on the grindstone again and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining and nothing to say, or smooth and well-oiled in the closet, but unused.

Anything was better than Ezra learning to play the bassoon...

Writing is a hard business, but nothing makes you feel better

The author must write what he has to say, not speak it.

Cowardice... is almost always simply a lack of ability to suspend functioning of the imagination.