Quotes About Creativity

I love all of my children equally, all of my printed books, and each one bears a special piece of me. But the one I'm most proud of is the one no one will ever see - the very first manuscript I ever wrote, back in 1990. It took me a year to do it.

Mostly, I worked so quickly, I didn't see the details of a photograph until it was printed.

I work closely with the printer to get the final print the way I want it.

We wanted people to 3-D-print anything, not just more 3-D printers.

I found a really cheap Visograph printer on Craigslist and drove down to Pennsylvania to pick it up and that really gave me a lot of freedom.

The people who are getting 3-D printers at home are pioneers, kind of like the people who bought Apple IIs in 1981. Adults are usually the last people to get it. The kids are like, 'Get out of my way, I want at this thing.' They immediately start getting creative.

I consider it essential that the photographer should do his own printing and enlarging. The final effect of the finished print depends so much on these operations.

How can we reinterpret 3-D printing in a way that suggests a new design language?

3D printing is already shaking our age-old notions of what can and can't be made.

I used to do calligraphy, and I'm afraid that has lapsed, but I've always been interested in book printing.

We started MakerBot in 2009 and made a conscious decision to educate people with the possibilities they could do with 3D printing and share with people what is possible.

We're thinking about printing the lyrics with the next record so that people can find their own meaning in them. But then they would start having a life of their own, and I think the Portishead music should stay a whole in which the lyrics come second, actually.

The ideas keep going, you have the material, you cut because there's a limit to the space allowed to you. And the space is limited because of some other constraints that have to do with money or printing or whatever.

I've always taken apart calculators and anything I can get my hands on when I was younger. When I was around 12 - like, 6th grade - my parents always had around Mac computers because my mom is a teacher. So I'd always be playing around with all the crazy applications and making banners and printing things out and always into graphic design.

A neighborhood friend showed me how it was possible to go to a camera shop and pick up chemicals for pennies... literally... and develop your own film and make prints.

Clare Henderson creates the most beautiful delicate prints and paintings.

I'm known for color and prints and embroideries.

I first met Michael Angel when he came to my office with a box of prints and asked me whether I thought he should make dresses from the prints.

I live in a small world of gouache and brush and pen and ink. I'd like to explore the world of multiples - etching and prints.

I like to design funky things, and I love to mix prints and patterns together.

I paint because I love to paint. If someone buys the prints or whatever, so be it, but it's not my main form of business. As a performer, that is my main form of business.

In the work I do, historical elements tend to merge with contemporary forms, such as photo printing on furniture or bold sari prints, to create something unique and memorable.

I really follow Balmain. I follow designers who make floral prints and bright-colored clothes.

No woman can wear prints all the time.