Quotes About Creativity

The producers probably won't like this, but I always describe her as Peppermint Patty on acid.

I think the days of working with producers in the conventional sense are over for me.

In general, I don't feel artists should need producers.

There are a lot of producers who basically have their sound, and if the artist works with them, you almost know what the record's going to sound like before it comes out.

I can honestly say that the fans inspire. There's an unexplainable rush that comes when I'm in the middle of a set and the energy from the fans hit me. I also get really inspired through collaborations. I've learned so much from the emerging producers I've worked with just as they've learned from me.

There are wonderful composers and librettists out there. It's the lack of creative producers that is troubling.

I do not like producers.

India needs better producers than screenwriters. No producer wants to invest in out-of-the way scripts.

When I was a kid, I wrote to the BBC, and the producers sent me a huge package through the post with 'Doctor Who' scripts. I'd never even seen a script and couldn't believe that they actually wrote this stuff down. It sort of opened a door.

The producers want us to sell, sell, sell. That's my little joke. That's what we do by day; by night, we're artists.

There are lots of good producers out there.

The producers and writers of dance music are becoming the stars, not so much the DJs.

I live in L.A., where every coffee shop is filled with scriptwriters, producers and directors.

The more shows that are produced, the more writers are hired, producers are hired, actors are hired, directors are hired, it means the more people will get employed. It's better for the economy. It's a fantastic thing.

Producers are now employees, not creators.

'The Producers' is a sort of a once in a lifetime kind of phenomenon, and I was grateful to be a part of it.

When American producers see my film, they think that I had a big budget to do it, like 23 million. But in fact I had 10 percent of that budget. I did 'Mars et Avril' for only 2.3 million.

We're all unique as actors. To yourself, you are unique. You have to think, 'I'm me. I'm not going to bunch myself with other people.' Agents and producers have to get you into a box to accommodate their limited imaginations.

I tell my students based on my experiences in Hollywood, sure, you can always move to L.A. and try to work with the system, and people do that, but chances are if you want your story in film with characters of color, you will have to make that movie yourself. Find a way to make it yourself. Not just screenwriters, but also producers.

Basically, I'm one of the greatest producers ever. And I'm also one of the greatest DJs ever. And I'm also one of the best executives ever.

For some producers who are technical-minded, making the song sound good is easy, and getting the emotion into the song is harder.

It's just difficult to see that people want to be like the actors and the performers and the politicians who are - who they see all the time, but the people that are probably having the most fun are the writers and the directors and the producers and the scientists, right, the people in the back that are getting to do the creative process.

People like me, DJs and producers, have a bigger say and a bigger voice than we've ever had before.

It's not very often that you get to come up with ideas and bring your take on the character and then actually have writers, producers, and directors pay attention to it.