Quotes About Creativity

That's the great thing about a series: you're driving to work, and you have an idea for a story for your characters, and you can go into work, and it's gonna be a television show. I mean that's what's great about the job.

I love my camera crews on all my jobs. It's the half of the job that the audience never gets to see. They're integral. They're as much a part of making a movie or television show as I am.

You've not felt the pain of rejection until a television show based on your own life is canceled.

When I was nine, I found a copy of 'Doctor Who: the Making of a Television Series' in the school library. It had a picture of Peter Davison on the front, and it was a formative book for me. It explained all the different departments like the script, cameras, and sets and explained how a television show is put together.

Whether it's a song or a television show, or a book or poem, art is the thing that cracks me open and encourages me to go on a deeper journey to find my own compassion and empathy and humanity.

Whether it's a song you write or a television show or a movie or professional wrestling, there are three components to IP law. There is publishing, there are writers, and there are performers. The publisher is always the owner.

Whether it's a film, a television show, an event or a pair of shoes, everything Uninterrupted does comes back to the fundamental belief that every human is multidimensional and should be empowered to share their own story.

I try to keep myself busy creatively; it's for my own sanity after auditioning in the city for bad television shows and bad scripts and not being a name and having the clout to get my tapes passed on further.

The skill set that lets you be alone in your pyjamas for two years writing a book is not the same skill set that lets you go on television shows like 'The View' or 'Late Night With Jimmy Fallon.'

I absolutely don't deny that I was inspired by 'Fight Club,' among many other television shows and films. I completely not only acknowledge it, I own it and love to nod to them as much as possible.

I loved Garry Marshall. The television shows he created in the '80s were the most deeply important entertainment of my childhood.

I started taking my dance seriously and I have been choreographing for corporate and television shows.

If I tell you there's cheese on the moon, bring the crackers.

I do fashion to tell a narrative.

Tell your own story, and you will be interesting.

I'll play it first and tell you what it is later.

People have forgotten how to tell a story. Stories don't have a middle or an end any more. They usually have a beginning that never stops beginning.

An attack upon our ability to tell stories is not just censorship - it is a crime against our nature as human beings.

I see things with my own eyes, just as if they were the first eyes that ever saw, and then I set about to tell, as best I can, just what I've seen.

If you ask anyone in animation, how long they've been into animation, they'll pretty much always tell you that it's since they can remember, and I'm no exception. I've always just loved drawing and loved cartoons.

Eventually, it came to this place like, 'I'd like to direct, but I need to find the story to tell.' 'Man of Tai Chi' became the story to tell.

Digital technology allows us a much larger scope to tell stories that were pretty much the grounds of the literary media.

I'm not an artist. I set the camera up and tell my story.

I do really long DJ sets - I play for five or six hours sometimes - but the live shows are a bit more compact. The arch of how to tell a story, where the energy is, where you have peaks and drops, where things go up and things come down, that's all being informed by DJ-ing.