Quotes About Creativity

Whoever heard of an electric violin, electric cello or, for that matter, an electric singer?

You can be whoever you want to be when you are writing songs.

Whoever has an original thing to say, it is sort of a threat to the status quo.

I got into circuses and put on circuses in the backyard. My dad had horses and he'd bring them and we'd do horse tricks. I was 6 or 7 years old putting on circuses for the family or whoever in the backyard.

I think clothing is transformative. When you put something really beautiful on, you feel something. In so many ways, we're always playing a form of dress-up - it's just a grown-up, much chicer version of it. It's nice to be able to be whoever you want to be.

Whenever I am making stuff, I got a thing in the back of my mind: 'Oh, this would be so perfect for' whoever.

There's so many people that follow the trend, and then it gets to a point where it gets a little stale. So, in music; I mean, whoever's the new trendsetter, that's who people follow.

If the kids like it, my fans like it - whoever this music pertains to, if they like it, it's for them. That's what this art is for.

When I was young and it was someone's birthday, I didn't have the money to buy nice presents so I would take my mom's camera and make a movie parody for whoever's birthday it was. When I'd show it them, they'd die laughing. That reaction was a high for me, and I loved that feeling.

I look for the role that excites me and work with whoever that director happens to be, wherever he wants to shoot the film.

I always pray when I write songs that my spirit guides, or whoever is with me, inspiring me, would let me speak the truth.

As I see it, whoever's doing the inventing is also doing most of the learning - and probably having most of the fun.

I'm always working on new songs. With the technology these days, any idiot can record on Pro Tools on your laptop. All you have to do is plug a microphone into the input jack and anybody can have their own recording studio. So I'm always down in my basement, singing along to riffs or whoever I'm collaborating with.

Originally, we had a band known as Steely Dan. As we moved away from the band, we got whoever was appropriate for specific tunes. In a lot of cases, we gravitated toward jazz players who had more sophisticated harmonic concepts.

Maybe it's egocentric or whatever, but when I'm playing Beethoven, Bach, Hendrix, or whoever it is, in the end, it just feels like my own music and I'm making it up as I'm going along.

I do have a way of playing piano where it's very melodic and emotional, but then often it's great if whoever's singing doesn't sing exactly what's in the piano melody, but maybe it's connected in some way.

The people who go get an LL album want to hear LL. They don't want to hear LL trying to sound like DMX or whoever else is out there. That's not what they want to hear from me, because if they want to hear that they can go get the real thing.

Any artist who goes to Las Vegas is an idiot as far as I am concerned. Whoever goes to Las Vegas can stay in Las Vegas.

In Punjab, we have a friendly environment and whoever gets a story idea, we discuss it openly and work jointly towards it.

I know when I started I would have been happy to sound like the Beatles or Joe Tex or whoever. You want to sound like most bands, you want to sound like their records and that's how you learn your chops.

We are different people - you get a different take on the band whoever you speak to. Somehow, at the end of it, it goes through the filtering process and out comes the Radiohead thing.

Whoever envisions not one but two series in New York?

If you say, 'I'm going to cut this song because I know the teenagers are going to love it,' well, then you're going to alienate everybody else. When I cut my record, I'm just going to cut the things that I like, and whoever likes it, likes it. That's too much work to try to figure out the demographic. That's too much like a business.

I don't care if it's a Cole Porter song, or George Gershwin, or Lennon/McCartney, or Elton John, or you know, whoever, Bob Dylan. Great songs are great songs, and they stand the test of time, and they can be interpreted and recorded with many points of view, but yet still retain the essence of what makes them good songs.