Quotes About Creativity

Basically, I feel like people have always taken photos of themselves. When I was in college, I had these Polaroid cameras my friends and I would have so much fun with. Today, we'd be taking those pictures on our phones. I think it's just part of culture today... Why not have fun with it?

I'm not interested in hearing yet another rapper tell me why he's the best. Why not tell a story set in a specific time and place? Create some characters, add a little bit of action and you're good to go.

They told me I should be making my own records. So I figured, 'why not?

It's the ingredients you choose (Chorizo? Sure! Rye bread? Why not?) that will make your stuffing stand out.

You have to think anyway, so why not think big?

I love looking back at my old pictures and pictures of my grandma and my mom and see how they expressed themselves at different parts of their lives, and it just tells an interesting story, so why not play around?

I changed my mindset and figured, Why not try to be really entertaining instrumentally?

Has the painter not always gone to an art school, or at least to an established master, for instruction? And the composer, the sculptor, the architect? Then why not the writer? Good poets, like good hybrid corn, are both born and made.

To me, unconventional thinking is approaching a problem and asking, 'Why not? Why can't something be done?' If someone can't give me a good reason why you can't do something, I find a way to do it.

For years that may mean imitation. Then, one day, it is like a door opening, and a new thought comes in. Why not try this instead. Suddenly he is doing something original, almost in spite of himself.

I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way.

I'd love to work with Missy Elliott. I'd love to work with Bonnie Raitt. I'd love, love, love to work with Barbra Streisand. I'm reaching, because why not? You don't know what's going to happen in this life.

People have always called me Schneider Monkey just because of my energy and mass consumption of bananas. Plus, I just love monkeys, so I thought, 'Well, I love monkeys, I love my fans, why not put the two together?'

Art should walk a tightrope. That's what art should be. Art should be dangerous. You can't be scared to say something with it. People love to talk about how comics are real art and real literature, so why not use these characters to talk about real things, even if it is dangerous?

The decision to use a pen name was nothing more than a desire to compartmentalise my life. However, I had not thought about an appropriate pseudonym, and since there's an abundance of anagrams in the novel, the idea struck me: why not use an anagram of my name? Hence, Shawn Haigins.

What's frustrating to me is when, on a low-budget movie, people don't take chances. A big-budget movie, that script's your bible; nobody's going to risk going off the page. But when you're doing a very low-budget film, why not take some chances, intellectually, artistically?

I figured, 'Why not put goggle characteristics like peripheral protection and face fit into sunglasses?'

When I was in primary school, I was given a five-line script in 'Anansi the Spider Man,' and I decided to just improv and make it my own. For a second, I felt like Kevin Hart because everyone was laughing. I just continued to do it. Why not?

I feel like, O.K., if I can make it as a singer, then let me try rapping. If I can make it as a rapper, then let me try writing. All right? If I make it as a rap singer and writer, then why not try to produce? I don't feel limited in any way.

I listen to music to when I'm feeling a certain way or to make myself feel a certain way. So why not make my own music inspired by true emotions?

It's our job as fiction writers to provide a delight that nothing else can - to such a degree that people have no choice but to read our work. Now that's a very tall order, if not impossible. But why not try?

I think if you're gonna do something as silly and lighthearted as entertainment, then why not be interesting when you're doing it?

I've often thought that we left the original 'Phantom' with a little bit of a cliff hanger, and I thought, 'Well, why not to do a sequel to it' at one point.

The fun for me musically is that you never quite know what works and why. So why pretend you do? Why not just put things together and discover, in the creative process, if and why they work? That approach has served me well.