Quotes About Creativity

My films are always looked at strangely, and there is nothing I can do about it.

Movies are usually difficult, often insane, constantly challenging and always strangely amusing to make.

It's not always about working with the hottest artist. I sometimes go for challenges although people look at me strangely like, 'Why are you doing that?!' However, with a risk sometimes comes a huge reward. It's about having the vision to be able to turn a challenge into something, and then you win the Heisman.

It's strangely energizing to have people who don't make music themselves take potshots at you from the Internet.

I've always been excited by the strangeness of ballet, but I can't bear it when people just come forward and do a turn in the air for no reason.

You hear ten seconds of a song, and you know it's OutKast. There's a strangeness about it because it's catchy, but it's not just pop for the sake of pop. They're pushing the envelope.

A lot of 'Stranger Things' is having to be able to, in your mind, turn a little tennis ball into a huge monster. In Season 2, there was one scene where I was screaming at the monster and I was screaming at nothing. It was just the sky. So I really have a big imagination, I guess?

Many of the stranger but most frequently quoted scenes in 'Billy Madison' were unplanned.

I think sometimes when I sit down to write a song, it doesn't come out naturally, but when you are writing an email to someone, especially if you are writing to a stranger, you write much more spontaneously, and it's freer.

Even when 'Stranger Things' was finished and we couldn't touch it anymore, we saw all these problems still and we were begging Netflix to go back in and fix stuff. They were like, 'Guys, stop, just leave it alone.' But it was torturous, honestly.

Being on 'Whitney' is a job, but stand-up is my life. I could never stop. There's an art to it. I love having strangers laugh with me, so as long as I can continue doing that, I'll be happy. Working on a show and collectively sharing ideas with a cast is great, but stand-up is my first love.

I am the kind of person that wants to get up in front of crowds of strangers and perform monologues. To each their own.

The Internet is full of strangers, generous strangers who want to help you for no reason at all. Strangers post poetry and discographies and advice and essays and photos and art and diatribes. None of them are known to you, in the old-fashioned sense. But they give the Internet its life and meaning.

I'm really proud of 'Kissing Strangers.'

Two quilters who have just met will be strangers only until their mutual passion for quilting is revealed. Then they can talk for hours like the best of friends.

I felt like there was a certain standard that we held 'Strangers' to, so I think about that whenever I work on something.

My faith is a huge part of my life. I don't force it into my music, but it's in my experiences, so it comes through. People pick up on what they want to pick up on, but any way strangers connect to a song that I wrote is awesome.

When we cut 'Strangers In The Night,' we did the whole song in two takes.

Well after 'Fast Car' was so huge, everyone was asking me, 'What's the next song?' At the time I just had ideas I was working on, but it was very clear I needed to finish another song ASAP, and that's how 'Perfect Strangers' came about.

I used to just go up to strangers and tell them really elaborate stories about who I was and where I was from and try to spice my story, which I didn't think was very exciting at all. That gave me a sense of life, a sense of excitement - but I don't do that anymore.

The strangest thing that human speech and human writing can do is create a metaphor. That is an amazing leap, is it not?

The late sixties and early seventies were kind of a breeding ground for exciting new sounds because easy listening and folk were kind of taking over the airwaves. I think it was a natural next step to take that blissful, easy-going sound and strangle the life out of it.

I don't know what DVD commentaries are about. I'd like to strangle the person who came up with that concept.

I joined an all-girl band in Detroit and, although I was a pianist and drummer, I was asked to play bass because no one else wanted to. When I strapped it on, it fit me as good as my leathers. At the first gig we played, I looked out at the audience and thought, 'This is what I'm going to be doing for the rest of my life.'