Quotes About Creativity

In addition to its significance in liberal democratic theory, privacy stakes out a sphere for creativity, psychological wellbeing, our ability to love, forge social relationships, promote trust, intimacy, and friendship.

As Plato:) There is nothing superstitious about forcing bad consequences for the hubris of paternalistic utopianism. Humanity should never be frozen into a vision of the best. A creative society must be willing to tolerate some degree of instability because creativity is inherently unstable.

Now who knows whether Socrates actually undertook what sounds like a pretty lame attempt at becoming a poet in the last month of his life? I'm the mother of a professional poet, and I know what goes into the making of such a creature. You might as well try to become a mathematician or a cosmologist in the last thirty days of your life.

Genius in a person was like weed that takes over the entire garden, that won't allow anything else to grow. (p. 251)

To spin the web and not be caught in it, to create the world, to create your own life, to rule your fate, to name the grandmothers as well as the fathers, to draw nets and not straight lines, to be a maker as well as a cleaner, to be able to sing and not be silenced, to take down the veil and appear: all these are the banners on the laundry line I hang out.

The ability to tell your own story, in words or images, is already a victory, already a revolt.

Musing takes place in a kind of meadowlands of the imagination, a part of the imagination that has not yet been plowed, developed, or put to any immediately practical use. [--] [T]ime spent there is not work time, yet without that time the mind becomes sterile, dull, domesticated. The fight for free space—for wilderness and for public space—must be accompanied by a fight for free time to spend wandering in that space.

To write is to carve a new path through the terrain of the imagination, or to point out new features on a familiar route. To read is to travel through that terrain with the author as a guide-- a guide one might not always agree with or trust, but who can at least be counted on to take one somewhere.

This is the strange life of books that you enter along as a writer, mapping an unknown territory that arises as you travel. If you succeed in the voyage, others enter after, one at a time, also alone, but in communion with your imagination, traversing your route. Books are solitudes where we meet.

An aptitude test established architecture as an alternative [career]. But what decided the matter for [Teddy Cruz] was the sight of a fourth-year architecture student sitting at his desk at a window, drawing and nursing a cup of coffee as rain fell outside. 'I don't know, I just liked the idea of having this relationship to the paper and the adventure of imagining the spaces. That was the first image that captured me.

It is often mild distraction that moves imagination forward, not uninterrupted concentration. Thinking then works by indirection, sauntering in a roundabout way to places it cannot reach directly.

I set out to write books, to be surrounded by generous, brilliant people, and to have great adventures.

To spin the web and not be caught in it, to create the world, to create your own life, to rule your fate, to name the grandmothers as well as the fathers, to draw nets and not just straight lines, to be a maker as well as a cleaner, to be able to sing and not be silenced, to take down the veil and appear: all these are the banners on the laundry line I hang out.

Writers are solitaries by vocation and necessity. I sometimes think the test is not so much talent, which is not as rare as people think, but purpose or vocation, which manifests in part as the ability to endure a lot of solitude and keep working. Before writers are writers they are readers, living in books, through books, in the lives of others that are also the heads of others, in that act that is so intimate and yet so alone.

How do you make art when the art that's all around you keeps telling you to shut up and do the dishes?

I wrote it in one sitting early the next morning. When something assembles itself that fast, it's clear it's been composing itself somewhere in the unknowable back of the mind for a long time. It wanted to be written; it was restless for the racetrack; it galloped along once I sat down at the computer.

The purpose of activism and art, or at least of mine, is to make a world in which people are producers of meaning, not consumers....

After all, many people make babies; only one made To the Lighthouse and Three Guineas...

Making a poem is like making a chair; a poem is as real as a chair and sometimes more useful.

I wanted English to be an instrument on which many kinds of music could be played. I wanted writing that could be lavish, subtle, evocative, that could describe mists and moods and hopes and not just facts and solid objects. I wanted to map how the world is connected by patterns and intuitions and resemblances. I wanted to trace the lost patterns that came before the world is broken and find the new ones we could make out of the shards.

The process of making art is the process of becoming a person with agency, with independent thought, a producer of meaning rather than a consumer of meanings that may be at odds with your soul, your destiny, your humanity, so there's another kind of success in becoming conscious that matters and that is up to you and nobody else and within your reach.

Ideas emerge from edges and shadows to arrive in the light, and though that's where they may be seen by others, that's not where they're born.

Listen to what makes your hair stand on end, your heart melt, and your eyes go wide, what stops you in your tracks and makes you want to live, wherever it comes from, and hope that your writing can do all those things for other people.

I have been in recent years the author of a bestiary and director of some atlas projects; I've written criticism, editorials, reports from a few front lines, letters, a great many political essays . . ., more personal stuff, essays for artists' books, and more. . . . Nonfiction is the whole realm from investigative journalism to prose poems, from manifestos to love letters, from dictionaries to packing lists.