Quotes About Creativity

break-dancing became the

Look what he married. Would you want to be her? She's a nice woman, but her greatest accomplishment is making three-dimensional snowflakes and Easter bunnies from Martha Stewart's book. Come on, Fiona, you don't want to be that.

objects that couldn't be

Hammett, David Morrell, Michael Crichton, and even Georges Simenon translations.

anyway. He plays the same old stuff every time. I'll have Charlie let him

You'll have to find something else to do now, without weapons, I hope.

It often feels like a tremendous amount of work is required to get an idea moving forward, like pushing a train uphill. But at a certain point, the thing takes on its own momentum, and takes unexpected turns. So it's that feeling of holding on, rather than pushing it, that is the most exciting thing. It's that need to occasionally bounce off the walls, letting anything happen for any reason, and having nothing to guide you that is the joy.

7. Get a drawing buddy. Or join an online group like Everyday Matters on Facebook.

I recommend keeping a diary. Diaries are cool.

Bucky Katt: A bad writer is just a good writer with writer's block.

But selling patents was a good idea only for someone like Edison, who had ideas faster than he could put them to practice. (He had a world-record 1,093 patents issued to him in the United States and 1,500 worldwide.)

stimulating sustained economic growth required that individuals use their talent and ideas, and this could never be done with a Soviet-style economic system.

selling patents was a good idea only for someone like Edison, who had ideas faster than he could put them to practice. (He had a world-record 1,093 patents issued to him in the United States and 1,500 worldwide.)

He says every story has at least some truth in it, even if most are made up.

As for advice—write as much as you can! Time's ticking, and if you don't throw everything you have into your stories today, you might find yourself on the wrong side of THE END tomorrow!

special thanks to Martha Sharpe and everyone at Anansi; to Mandy Barber, for the use of her stunning visual art; to Karen Mac Cormack, for her advice during the early stages of this project; and to David Bromige (weaver of radhats), for his enthusiasm which encouraged me to develop this piece into a book-length poem.

When you write, you want fame, fortune and personal satisfaction. You want to write what you want to write and feel it's good, and you want this to go on for hundreds of years. You're not likely ever to get all these things, and you're not likely to give up writing and commit suicide if you don't, but that is -- and should be -- your goal. Anything else is kind of piddling.

Panicky despair is an underrated element of writing.

If you look at any list of great modern writers such as Ernest Hemingway, William Faulkner, and F. Scott Fitzgerald, you'll notice two things about them: 1. They all had editors. 2. They are all dead. Thus we can draw the scientific conclusion that editors are fatal.

Think, for a moment, of the countless happy childhood hours you spent with this amazing device: Drawing perfect horizontals, drawing perfect verticals, drawing really spastic diagonals, trying to scrape away the silver powder from the window so you could look inside.

Our original idea was to write a book titled Fifty Shades of the Hunger Games, by J.K. Rowling with Stephen King: A John Grisham Novel.

You can put suspenders on a salamander, but it still won't make waffles. See what I mean? That sentence makes absolutely no sense, but I got paid to write it. It's printed right here in a published book!

Thanks to my solid academic training, today I can write hundreds of words on virtually any topic without possessing a shred of information, which is how I got a good job in journalism.

Simply by eliminating description, the screenwriter can work his way through the entire plot in a single morning, leaving the afternoon free for screenwriter leisure activities such as drugs.