Quotes About Creativity

People think art comes out of strife. No, art comes out of love, and it comes out of freedom, and it comes out of feeling safe, and it comes out of feeling embraced by the vibe and by the energy. That's when you can make your best stuff.

I think writing and singing go together, but I treat them as two separate careers because I write for others. If I'm writing for myself, I prefer to be with the producer. And then we can vibe out and throw ideas back and forth, and I'll basically let the producer play me a bunch of beats until I vibe with one.

'Loose Ends' was an all-female crew and one of the greatest on-set experiences I've ever had. We were ahead of schedule every day, and there was a laid-back, calm, supportive vibe that was entirely new to all of us.

When I was 16 or 17, I started listening to Death Cab, and I started writing my own songs. I was writing alternative rock, and I had a seven-piece band. The shift was just iterations of experimentation and finding what sounded right. When I stumbled on the sound and vibe that I currently have, it was kind of by chance.

I've got a vibe going on with a lot of what I've been doing, and to completely change it based off of me having a child might be a little confusing. I'm sure as my life goes forward, and she starts growing up, there will be a lot more things to include in my music. But, at this point, I'm just sticking to what I do.

I wouldn't say I see things visually first, but what I do think is important, for a lot of screenwriters, is to not just think about the words on the page, but also the world as a whole and the vibe of the movie, rather than a sequence of scenes written on the page.

I don't think I could ever have a desk job, so I get to be mobile. I'm on set. I get to walk around kind of doing my own thing, being independent - it's just a really good vibe. Everyone on a film set is very happy, and they all love their jobs, so it's a cool environment to be a part of.

J.J. Abrams and I met, and we just had this incredible kind of vibe between us.

I always wanted a family environment, a community where a creator like myself could connect and vibe with other creators without feeling competitive.

The best thing we've learned is when you are attempting to write a full song, write a full song that day. When we first started, we would have great ideas, but there's something about a moment and a vibe that's being created in time that when you return to it, it sometimes works, and it sometimes doesn't.

When you are making an album, it is about the purpose - you are creating both a concept and vibe, then you follow through with that.

It was just music all day... My neighbors were musicians, and my brother and my family and everybody... It was just a musical neighborhood. I think the neighborhood was such a good family type of vibe for me that I didn't even realize some of the people weren't my real family till later on in life.

How do we make a record that's true to the vibe of the band but still maintain the pace of moving forward and doing something fresh?

When I am performing live, I walk into a room, and I just try to get a feel for the vibe, and I am coming from different angles musically. I might come with a new song, I might come with some hip-hop, with some R&B. Once I find my way, then I am hitting you, and hitting you all night.

People want to have access to jazz because it has a vibe that's very strong.

I don't really write. I'm an on-the-spot type of person. This beat, let's listen to it; let's vibe. And then I'll do a melody, and then we'll go back and do it.

The end goal is to make a piece that everybody has ownership over and everybody's proud of because everybody contributed to it. I think there's a communist, socialist vibe to 'Portlandia' to make it work.

I think people that came out originally, like 2Pac, Biggie, Snoop Dogg,, and even T.I. and Ludacris, they were original with their vibe, but at the same time, they were classics.

In a studio situation, I'm able to dig deep and come up with stuff that all the guys think fits the vibe of the song. And I think that's partly due to the fact that I grew up listening to just about everything under the sun. I'm very open to music, and I like to do things in a traditional and musical way.

I went through a big Jim Morrison phase where I grew my hair and wore those black leather pants. I even tried to get the boots, the chains, and I was full into getting that Jim Morrison vibe... but I didn't go overboard or try the mascara.

Each book requires a different look. Sometimes I get to take a personal direction that's appropriate for the story. I try to push things within a range. Some are rougher, some more expressionistic, some are slicker graphically and call for a prettier drawing style that I can do. Some have a more classical vibe, and some are in between.

There's a creative vibe at U.C.B., and to maintain it, we can't pay people. If you pay, then you have to assign worth to shows, and then people will resent that.

The thing I love about Marshmello is that he caters to individual songs as a producer. He has his vibe, but he also really puts something on the song that the song needs instead of having his thing and everything sounding like him.

Overall, Korean pop serves as the foundation of my musical upbringing. As a result, the melodies that I create just exude that type of vibe.