Quotes About Creativity

I would make a film with a political point of view if I agreed with it, and even, perhaps, if I didn't.

The reason I do this job is because I started to be a painter. Making money in art was difficult. The easiest way to make money was to use art for some other reason. One of the easiest and most interesting from an economic point of view was fashion. Fashion pays.

I have a certain point of view, a certain way to plate food, certain ingredients that I like to use.

I believe writers need to be chameleons, or like Meryl Streep, who can play all sorts of characters. A good writer should be able to cross gender lines and people of all social classes. So for me, writing from a male point of view would be a great challenge, that I would look forward to taking on.

When you make stuff from the 'you' point of view, you really can't go wrong.

What I look for in a director is a strong point of view, a clear vision, and an ability to multitask and make decisions on the fly.

Fashion moves so quickly that, unless you have a strong point of view, you can lose integrity.

From my point of view, there is a lot of joy in stage work.

This is my point of view, and that's why I call the show 'Ramy'. I made the show that I would want to see. So it's only going to hit on certain things.

I find it to be easier to write from a man's point of view.

StyleHaul will allow me more opportunities to express my point of view in the lifestyle and fashion space.

It doubles your perception, to write from the point of view of someone you're not.

I would say I have sort of a natural gift for character, and following one person's point of view at a time, and dialogue, but I'm not naturally good at strong plot.

My point of view as a writer has to be a lot more ego-less than just like being some performer on stage with a hairdo.

From an artist's point of view, I always want to work with the writers I admire.

From the director's point of view, it's infinitely easier to do violence than to do a good dramatic scene.

You don't want to make a movie just to make a movie. You better have a point of view.

If you have somebody who's brilliant and highly creative with a different point of view than you have, and a very different intellectual background, great things can happen.

I feel like I've been observed as an individual more than a gay person, or as a filmmaker with a certain point of view rather than a lesbian filmmaker with a gay point of view.

From an actor's point of view, if you are watching something, and you see improv, you know it. Because of your experience, you just bloody know that wasn't written.

Sometimes I write from the point of view of characters whom I would dislike as people, not as a perverse exercise, but because this cracks the story open and makes me see it in a way I would not see it naturally.

The most important thing as a filmmaker, the hardest journey you'll have, is to find your point of view.

I was like, 'I have to start writing for myself, to show people what I can do and what my point of view is.'

I like to listen to other songs to get a different point of view and to learn.