Quotes About Creativity

Because storytelling, and visual storytelling, was put in the hands of everybody, and we have all now become storytellers.

I've been obsessed with this kind of visual storytelling for quite a while, and I try to create material that allows me to explore it.

I believe in creative visualization.

Visualization - it's been huge for me. Your mind doesn't know the difference between imagination and reality. You can't always practice perfectly - my fingers will play a little bit out of tune, or my dance moves might not be as sharp - but in my mind, I can practice perfectly.

Visualization is daydreaming with a purpose.

The key thing if you're a writer is to visualize the scene and convey it to the penciller and turn the penciller loose.

Everything I make as a producer, I visualize it as a DJ first. And all those beats, I test them as a DJ.

Therefore, when we arrive in a place and talk to new people about a new image, it is very hard for them to visualize it. That's where the drawings are very important, because at least we can show a projection of what we believe it will look like.

I don't really think too much about special effects because that's not really something I can clearly visualize, so I leave that to the pros.

If I wanted an open space, I could do a documentary about fishes. Then I would have an open space to play my music. That's not how I visualize the work I'm doing.

First of all, magicians practice a lot. It requires a lot of discipline. Second, you can't be afraid to be a leader, to go onstage, and you learn to have presence. You need to be able to visualize and connect and create. Most important, you learn to think outside the box.

The main thing I love about street photography is that you find the answers you don't see at the fashion shows. You find information for readers so they can visualize themselves.

How do you visualize something you've never seen and just imagined, through someone you love very much?

Each time you present a tour, you're faced with these questions of, 'How do you want to present visual information? How do you want to take the music that we're making on stage and visualize that?'

It's really empowering when, as an artist, you can visualize something and then have the final product turn out the way you wanted it to.

I listen to everything that sounds good with a story. I even listen to Adele. I listen to all kinds of music. Everything with a story that I can listen to and close my eyes and visualize it. I just love music.

It's difficult for people to visualize from my drawings what it's going to be, so I often find myself talking them into things that they go along with, and when they see what's been made, they are surprised.

I like seeing the cameras because it helps visualize how the music people and the movie people teamed up.

Sometimes I fantasize about becoming a cartoon and only making music for cartoons. I can easily visualize my future in music when I go into that fantasy in my head.

I visualize songs like a little movie scene and I try to almost talk through the scene. What emotions am I trying to get across?

We are aiming to create a new genre with a new style in terms of visuals and sound. A mixture of dance and metal which strays away from the traditional or conventional metal band.

If people get inspired by 'Baahubali' as a film, and they realize they can make a big film or a historical film which has good drama and good visuals, if they realize there are good stories to tell here, then it is good.

Cinematography speaks to everything that women do inherently well: It's multitasking, it's empathy, and it's channeling visuals into human emotion.

Even if it's a song I know isn't gonna do that well, I'm dropping it as a piece of art, so I always want sick visuals to go with it.