Quotes About Experimental

The worst manifestations of exhaustion were successfully cured by a long period of rest but it was immediately apparent to me that I had lost once and for all my former capacity for carrying out experimental work until physically tired.

I really wanted to make the worst thing: the thing that even people who liked bad, terrible music wouldn't like - the stuff that people would ignore, always. Something really, really stupid. Something that is destined for failure.

I've mainly been sampling jazz because the tone of the chords are expressive in itself, so it's quite nice to write over. It's got interpretations of a lot of different genres, too, a lot of dubby-ness and experimental stuff.

From 'The Money Store,' 'I've Seen Footage' seems to run the beats from Tone Loc's 'Wild Thing' and Salt-n-Pepa's 'Push It' through a rusty meat grinder.

Within psychology and neuroscience, some new and rigorous experimental paradigms for studying consciousness have helped it begin to overcome the stigma that has been attached to the topic for most of this century.

To love a swamp, however, is to love what is muted and marginal, what exists in the shadows, what shoulders its way out of mud and scurries along the damp edges of what is most commonly praised. And sometimes its invisibility is a blessing. Swamps and bogs are places of transition and wild growth, breeding grounds, experimental labs where organisms and ideas have the luxury of being out of the spotlight, where the imagination can mutate and mate, send tendrils into and out of the water.

What could be more experimental than me writing a straight up love song?

I'd say dance is as relevant to us as, say, pop. It's as relevant as electronica, as relevant as ambient or experimental music. I wouldn't say it's something we spend more time on than any other genre.

I don't appreciate avant-garde, electronic music. It makes me feel quite ill.

Radio is immediate and experimental. It's really lo-fi - you can have an idea, go out and record something, come back in and just put it on air.

When I heard Flying Lotus, I was like, 'Wow, okay, everything can be off the grid.'

These technologies can make life easier, can let us touch people we might not otherwise. You may have a child with a birth defect and be able to get in touch with other parents and support groups, get medical information, the latest experimental drugs. These things can profoundly influence life. I'm not downplaying that.

The production of antibody is not the only, nor I believe the most important, manifestation of immunity, but for reasons both historical and of experimental convenience, antibody is likely to remain the touchstone of immunological theory.

As for me, I want to have fun while I'm working. Now not everyone thinks physics is fun, but I do. I think experimental physics is especially fun, because not only do you get to solve puzzles about the universe or on Earth, there are really cool toys in the lab.

Making 13-minute tracks is pretty alternative, I think!

We listen to a lot of classical and a lot of jazz, and so you get some funky notes here and there. And we get a little experimental in some of the deeper tracks.

Trust not my reading, nor my observations, Which with experimental seal do warrant The tenor of my book.

There is nothing more profitable than the extreme avant garde.

To me it was obvious that experimental literature was experimenting on the reader, and Hanna didn't need that and neither did I.

Is it experimental to have been influenced by the Bible? By Saint Augustine?

Be it 'Dare 2 Dance,' 'Man vs. Job,' or 'I Can Do That,' I have always taken up projects that is innovative. I want to try out different things, as that gets me going.

A rain shower was rehearsing. A few experimental droplets filled the silence.

The only thing that makes a book YA is that it is about teenagers, and it is written in a very conventional, non-artsy, non-pretentious way. YA is not the place for the oblique or the cryptic. If it is in any way experimental in form, it is not YA.

To some degree, yeah, because I have to play a certain number of originals that might be considered avant-garde material. I realize though, that only a few people in the audience actually know what that music is, or understand it.