Quotes About Complex

A tool is but the extension of a man's hand, and a machine is but a complex tool. He that invents a machine augments the power of a man and the well being of mankind.

Love is not altogether a delirium, yet it has many points in common therewith.

Philosophy is a purely personal matter. A genuine philosopher's credo is the outcome of a single complex personality; it cannot be transferred. No two persons, if sincere, can have the same philosophy.

Mad, bad and dangerous to know.

Amoebas at the start were not complex -They tore themselves apart and started sex.

The writer is committed when he plunges to the very depths of himself with the intent to disclose, not his individuality, but his person in the complex society that conditions and supports him.

Problem is, it'll be like looking for the crazy needle in a stack of needles. And nobody say 'haystack,'" she warned. "Because that's just stupid.

Then I'll tell you the simple and most complex answer is love. It's where you start, and where, if you work hard enough, want hard enough, you end.

The heart can be a mysterious organ, the heart and its movements. Dark, the Spanish call it. The dark heart, el oscuro cotazón. Are you sure you are not just a little dark-hearted, Paul, despite your many good intentions?

Bienvenido al maravilloso mundo de los celos. Por el precio de su entrada, obtiene un maldito dolor de cabeza, un deseo casi irresistible de cometer un homicidio. Y un complejo de inferioridad. Yupi.

I'm not easy to deal with.

'Twin Peaks' has got interesting characters. They are all different from anything anyone has ever seen before. You've had bad people before. But everyone's got little quirks, and everyone's interesting.

My imagination is a twisted place.

Britain's such a twisted, weird little place.

Playing the good guy is boring. I love twisted, flawed characters.

Every man lives in two realms: the internal and the external. The internal is that realm of spiritual ends expressed in art, literature, morals, and religion. The external is that complex of devices, techniques, mechanisms, and instrumentalities by means of which we live.

'One by Two' is a film about two people who live in the same city and do certain things that affect each other's lives. Yet, they are strangers. It's difficult to put the film in any particular genre or box.

Generally, I play the kind of ethereal, fragile-on-the-outside-but-hard-and-damaged-on-the-inside type.

You know as well as I do that counterinsurgency is a very nuanced type of military operation.

An era that I specifically like is sort of late '50s, early '60s. I guess mid '50s, too. I like these types of films that deal with post-WWII America and this more complex leading man that kind of emerges from that.

I am constantly swimming on the margin, neither 100% American, French, nor Lebanese. I am none of those. I am the result of those three. Sometimes it's an asset: no one can put you in a category. That I do not make typical Lebanese, European or American films does not bother me.

And um, when I came back to England I put a very complex soundtrack on it, featuring everyone from Jimi Hendrix, right through to Neil Diamond, you know, everybody that was kind of popular who was kind of popular at that time.

Do wars support the military-industrial complex and therefore support the people?

What's happened to marriage? The wedding-industrial complex. Brides get swept up in this world of obsession - it has to be your perfect day.