Quotes About African-American

In 1900, 180-plus out of every 1,000 African-American babies died.

At the heart of the deterioration of the fabric of the Negro society is the deterioration of the Negro family.

Slavery was a tradition embedded in the culture of the South and played a key economic role there. Its economic importance was the key factor impending abolition. Nevertheless, slavery is morally reprehensible, and completely indefensible, and the fact that many Americans, including the Founding Fathers, recognized that it was wrong, in a way makes us even more responsible for the crimes committed against the African-American race.

The relationship of black Americans to Obama is sociologically riveting.

As for my support for Obama, remember that I was brought up in Washington. It was an all-black city when I was a kid. And I've always been very pro-African-American - or whatever phrase we now use.

My company, Cinema Gypsy, produced a podcast, 'Bronzeville,' in conjunction with Larenz Tate and his brothers that we're developing into a television show. It deals with a very tight-knit African-American community in Chicago in 1947 and people who run a numbers wheel.

I think that whenever there's a good script we try to make that happen, but it's all based off of a good story, a good script, but I don't believe you should do it just because it's African-American.

As America knows, Obama turned down the lucrative career path guaranteed to the first African-American president of The Harvard Law Review to pursue the missions of service and teaching instead. The potential rewards for our country, now that that early choice has led him into the White House, are enormous.

Look at the coded language the Right is using against President Barack Obama. Openly calling him a liar in Congress, saying he is 'not a Christian, he was not born here, he is not one of us.' That makes addressing such issues trickier for the first African-American in the White House.

There are African-American families around this country - a large, large number of African-American families - that operate out of complete fear that their kids are going to be taken from them and will do anything to prevent that.

There's a sense of authenticity that comes with 'Ebony.' There are very few national media outlets that are majority-African-American owned and really speak to our community with a sense of pride, authority, and ownership. That's what we do.

'The Firebird' just symbolizes a lot for me and my career. It was one of the first really big principal roles that I was ever given an opportunity to dance with American Ballet Theatre, and it was a huge step for the African-American community, I think, within the classical ballet world.

Branding says a lot about luxury and about exclusion and about the choices that manufacturers make, but I think that what society does with it after it's produced is something else. And the African-American community has always been expert at taking things and repurposing them toward their own ends.

My father was one of the first Tae Kwon Do Masters to come to the states in the '60s. He had one of the first all-African-American fighting teams, and I was basically raised in a karate studio since I was 3. It's part of my blood, competing, and all that stuff was responsible for a lot of me just growing up.

Like anyone else in television, I like to explore my life experience. And I don't think African-American artists see doing shows or art about African-Americans as something 'less than.' I think maybe the industry sometimes does. We don't get as much attention, we don't get critical acclaim and so on.

The notion of women being written out of history is as old as the Bible, but it always seems more galling when it is the history of progressive movements - such as the abolitionist campaign in Britain or the fight for African-American civil rights - in which the role of women has been diminished.

Obama was elected in a flourish of promise that many in the African-American community believed would help not only to symbolize African-American progress since the Civil War and Civil Rights Acts but that his presidency would result in doors opening in the halls of power as had never been seen before by black America.

We have to have a national conversation about how police forces should interact with the African-American community, who happens to be paying their salary, who want to be served and protected, who these officers are take an oath to do so.

Here's something that's interesting if you look at basic metrics or numbers in this country - 71% of African-American men: no dad at home. No disciplinarian. Fathers are often the louder voice, the disciplinarian. Many of those kids don't grow up with a dad.

I came into my teens unaware that most Americans, blacks as well as whites, were ignorant of the main facts of Negro history. And so it was the facts of other histories that I found most intriguing. I fell into a U.S. history major by chance late in my second year at Fisk University.

One of the most widely read novels by a black American is Ralph Ellison's 'Invisible Man.' It is his masterwork - it won the National Book Award in 1953 and catapulted my man to the highest levels of literary esteem.

African-American music tends to have, at the very least, a glimmer of hope to it - sometimes full-fledged hope.

The symbolic value of having an African-American president has certainly eased some racial tensions in America, but they're not gone.

John Taylor, the third Prophet and President of the Mormon Church, had this to say about the African-American in Journal of Discourses 22:304: "After the flood we are told that the curse that had been pronounced upon Cain was continued through Ham's wife, as he had married a wife of that seed. And why did it pass through the flood? Because it was necessary that the devil should have a representation upon the earth as well as God......