Quotes About Cello

It's past midnight and very silent and I'm probably keeping the night doorman awake as well as Lota, and a mystery man across the garden who sits up all night with three bright lights on, as if giving himself a 3rd degree--only he always does seem to be awake & alone. Tonight he did something very strange for a while--and finally we saw that he was (silently) playing a cello.

I did a capella for a year at boarding school and then I stopped because at Yale, I think they really focus more on singing than having a beat behind them. So I just did my cello thing.

It started when I was eight years old. I first heard the cello on the radio, and I loved the sound. It was such a magical, beautiful sound. I dedicated my entire childhood to cello, practising like crazy.

I love the cello, I love the physical sense of an instrument that's about the size of your body that vibrates enough that even if you play an open string, you feel it.

If I were to run around the world playing just the cello concertos - and believe me, I love playing them - I would be counting my entire repertoire from year to year on my two hands.

We wanted to make a powerful cello sound in order to show to the world the possibilities of the cello and to use it in a different way than the classical way they are used to. We wanted to play something exciting, something crazy, something to draw younger generations to this great instrument.

If we just stick to one kind of music, our creativity is limited. We wanted to extend the audience for the cello, especially the younger people, and to show them how cool and how powerful and how diverse the cello can be.

I record cello Etudes that are fewer than four minutes long and post them on YouTube. How can one execute fully-formed ideas with utmost perfection, yet stay free enough to allow improvisatory nuance? This has immediate application in almost every area of life, but especially in performance.

And then Adam Wilde shows up at Carnegie Hall on the biggest night of my career, and it felt like more than a coincidence. It felt like a gift. From them. For my first recital ever, they gave me a cello. And for this one, they gave me you.

Mia and I had been together for more than two years, and yes, it was a high school romance, but it was still the kind of romance where I thought we were trying to find a way to make it forever, the kind that, had we met five years later and had she not been some cello prodigy and had I not been in a band on the rise - or had our lives not been ripped apart by all this -I was pretty sure it would've been.

For my first recital ever, they gave me a cello. And for this one, they gave me you.

But in my family, playing music was still more important than the type of music you played, so when after a few months it became clear that my love for the cello was no passing crush, my parents rented me one so I could practice at home. Rusty scales and triads

For my first recital ever, they gave me a cello. And for this one, they gave me you." Every hair on my body stands on end,

I often play on the cello-bass side of the orchestra, because I prefer the deep sounds. I can't hear the violins well.

With 'Game of Thrones,' the most dominant instrument would definitely be the cello. That's something I just felt really captured the mood of the show very well.

Naked, she lay sprawled on her side like a shipwrecked cello.

Actually, music gave me the support when I needed it. I would never have gone to college unless I'd gotten a piano scholarship. And now I'm so glad I got to learn to play the cello, which is a different experience, you're flexing a different muscle, but it's beautiful because it is music.

Now, we are still learning how to approach girls, you know, learning what to say, etc., because the practice we've had was with our other girl, the cello. If you noticed, it has the shape of a female.

When I was four, we had to choose a musical instrument to play at school, and I chose the cello. I played until I was 18, and although I found it nerve-racking to play solo, I loved playing in an orchestra. When I left school I didn't carry on with it, which I regret.

The Australian sculptor who made leather sandals said that Beethoven's duet for viola and cello sounded to him like two bulky women rummaging under a bed. Behind him a girl said, —Of course I like music, but not just to listen to.

Where do my tears go? Why is it that I can't cry now when I need to? Yet I knew that later my tears would be unexpectedly triggered by the scent of lilacs, or the low hum of a cello.

We tune differently, and we use some tricks. There's just the two of us for much of a concert, so we want a big sound. We do use some guitar effects, distortion and delay. Playing cello with distortion sounds so good.

I think that I make chords when I paint, so I think you would be listening to the cello. It's deep, and it's resonant. A lot of people have compared me to Brahms - that slightly melancholic sensuality that's highly structured. Well, that describes my work right there.

Nico, dresses in virginal white, sang in a voice one writer described as "like a cello getting up in the morning