Quotes About Producer

If you have a perfect script, the right actors and technicians, and a good producer, direction is the most enjoyable profession in the world.

I was a sportscaster right out of school. I used to do the nightly newscast and the nightly sportscast and I would write, produce, do live shots. Yeah, I loved it. That's how I cut my teeth in the business.

I can't really recall the first time I was noticed by a producer but the first time I was on television was doing Daytime for Another World, which I started in December '75 and went until December '76.

I'm unapologetic about multi-tasking. From being a television producer to a musician, an actor, and a film producer, I would like to believe there has been growth in my career.

I come from theater, so I'm used to the hierarchy of an actor is just on the ladder, and above that is a director, and above that is a producer, and above that is a writer. But on a television show or film, the whole call sheet thing and being No. 1 on a call sheet, people look to you and almost expect you to exercise this power for good or bad.

Jessie Wallace was the first time I erupted. She was late, she was young. She's not like that any more. I lost my temper. It was silly and I burst into tears and ran up to the producer. I said I had been terrible and amateur.

while growth as a producer and as a person can be hard—it truly is the finest work a human being can ever do. And fully remember that you are most alive when your heart beats quickest. And we are most awake when our fears scream loudest.

I'm afraid I was a little abrupt recently with a producer who sent me a screenplay. It was rubbish, really. I sent it back with a polite rejection. Then he came back with the plea that 'we tailored it just for you.' I replied simply, 'But no one came to take the measurements.

I danced for, like, 11 years at bar mitzvahs and executive parties. I'm a professional energy producer. I produce energy, baby.

I always make sure my film benefits my producer and earns him a profit.

My father was a television director and producer, working on documentaries and current affairs programmes including 'Panorama,' and I didn't think he'd find acting a sensible option. But as soon as I'd finished my A-levels, I got on a train to Edinburgh, and that was it.

In general, a film's delay is disheartening for actors, but it's harder on the director and the producer who have been on the project for longer than anyone else. While actors move on to other projects, the film's makers don't.

I only get involved with projects as a producer if I feel creatively inspired.

As a television producer, you do a lot of writing - drafting proposals for pilot shows and other things, so yes, a good deal of writing was involved.

I have always wanted to be independent. When I became a producer, people said I would not succeed, but I proved them wrong.

I really think of myself just as a filmmaker.

My part as an actor ends on the last working day. I think the success or failure only really matters to the producer or whoever it matters to. For me, when I finish the film, I'm done, and if I'm happy, that's that.

I had heard that Robert Duvall was interested in doing 'Lonesome Dove,' and he's one of those actors with whom I'd work on any project. So I tracked down the script and started to bug the producer, Dyson Lovell, to get in there.

I think my music has always been a mixture, depending on whom I'm working with - what band, what musicians, what producer.

I'm just a simple television and film producer who started off from her garage and whose only idea was to tell a story.

I need a producer who will look for a good script. I need a director whose purpose to make a film is not for his survival but because he loves making films.

I, at times, was disappointed when my songs were neglected by executive producer Park Jin-young, but learned a lot in the journey finding out what would appeal to a wider audience.

My brother's friend worked at a TV station, so we went in; the producer of a show asked if I wouldn't mind taking some photos for his wife, who was a talent agent. Next thing I know, I'm enroute to the agency.

I had done another show called 'United States of Cars,' which was a pilot that didn't get picked up. And they said, 'You know, we're doing 'Top Gear,' and would you like to meet the guys?' It was the wild - most wild audition I ever had because I never went to a studio or a producer's office.