Quotes About Producer

As a consumer, if you want to stimulate the economy, then pay full price. As a producer, if you want to stimulate the economy, then provide a discount.

When our executive producer, Julie Plec, told me I was going to become a hybrid I got really excited. Because there's a lot of responsibility that comes with that, especially in our world of 'The Vampire Diaries' where Tyler is the first successful hybrid that's made.

Honestly, I'm willing to experiment with far more variety in roles than I'm given. But ultimately, it's the producer's decision. But, I've done a variety of roles - the evil don, the evil husband... I've done villainous roles, supporting roles, etc.

I think a lot of what I loved being a studio executive was the variety and freedom. But now, as a producer, you're much more able to enjoy those two things. What I loved about it doesn't necessarily exist anymore.

It's nice, because after you've worked with various directors and producers enough times, they start to know your voice and what you're capable of.

The producer, in effect, has to work as a translator. You form a very tight relationship with the director and writer from the beginning, and then you are constantly communicating to the various people that begin to come into the process, as you are trying to manage to hold on to a vision that needs to be communicated over a long period of time.

I'm not a superstar, per se... but I'm a musical creator - a producer in the same vein as what Quincy Jones was, or Pharrell and Timbaland were.

You always want to be innovating and creating what's next. Versatility is also really important for a producer.

I smiled at the young woman with the warmth and goodwill that only the pure of heart, or the people who've recently swallowed a handful of OxyContin, can muster. "I'm Allison Weiss. Are you Beatrice?" I had gotten the call the night before, from a woman who'd introduced herself as Kim Caster, a producer for The News on Nine, the local evening newscast. "Did you hear about that mess in Akron?" she had asked.

My ambition was to be a record producer, and I had started doing that in the late '60s with my work with the MC5 and my friend Livingston Taylor.

Even before I became a recording artist, I did other things in music. I was a teacher, I did studio work, and I was an arranger and a producer.

I would like to work with a great producer who I haven't met yet. I'm not sure who he is, but I'm looking for someone to take me to the next level.

It can really vary from movie to movie what the producer's role is and there are all kinds of producers. There are line producers who do a lot of the nuts and bolts work on the set.

Kenya doesn't have much of an infrastructure for hosting a film of this scale. Our producer decided that for the film to really work it had to be in Kenya.

Once you become a producer, you're really selling something. It is a control issue, because you don't really know how it's going to pan out, but the creative control makes it work it.

I was not, and am not, officially a producer of that film [I am love] but the work of what a producer does I learned at that stage and to a certain extent I've been a producer ever since.

I had never met Woody Allen before Melinda and Melinda. My agent knew the producer of the movie and he suggested that we would work well together and then we did. We had a great time on that film.

The writer of Kaafir,' Bhavani Iyer had to keep the story with her for 13 years, the producer, Siddharth Malhotra, could only provide justice to the story after struggling for eight years.

When I was in college, I studied business because I thought I wanted to be a director and producer.

I studied business and also studied film, then I graduated, and I worked at a network. I was able to use my business skills there - I was an associate producer for a little bit.

I got out of high school, bought a recording studio and started operating it as an engineer and a producer.

I do have electric guitars, because I've always believed, especially when I'm working in the studio with other bands as producer, that there should be a really nice Strat around.

I don't think I'll ever be a producer who's into taking the meetings and fighting the big fights with studios. I really don't like that part. I'm much more interested in the material.

I really only worked for about a month on 'Meatballs.' What happened was that Ivan Reitman figured out that studios wanted to meet everybody involved with 'Animal House' except the producer. So he thought he'd better start directing.