Quotes About Producer

If you really want to be a music producer, stop watching 'Friends' when you get home from school. Start trying to make music. If you're not going to try, then it's impossible. When you try, it's always possible.

Getting movies developed doesn't do me any good as a producer. It only does me good to get movies made.

I just always want a new producer. I'm going to have a new producer on the next one. Because I'm the same person, and I feel like, I know I'm going to bring to it a certain sensibility that's me, and I want to have something different coming out on each album.

I'm a producer for fun. I'm not a professional schooled musician or anything.

Vidhu Vinod Chopra, who has produced my earlier films, is still a part of 'PK' and is presenting it. He is not a hands-on producer - he used to put a certain amount in the bank and give me the cheque book.

No one wants to hear from the producer. He's the guy by the pool with a cigar in his mouth and a couple of lovelies on his arm. But when you're a director, they want to hear what you have to say about everything - the war, the world.

It's lovely being a producer. It's really a lot of fun and I can learn a lot.

I became producer so that I could work with persons like him and to rock the world of Hong Kong Cinema a bit.

Temperamentally I'm not a natural producer, because I don't have the patience.

Dave Fortman really helped me appreciate Rick Rubin as a producer.

Part of the job of being a producer is the Vulcan mind meld, where you listen not to what they're saying but what they mean.

I never really saw myself as a producer but there were times when I thought after my in-ring career perhaps I could go into being a commentator or coming back as a general manager.

Believe me, it's not easy being an actress and a producer, especially with no big daddy to support you.

The only way a first-time filmmaker could have convinced or can convince a producer is if he has a fantastic script.

It is a great honor to become Executive Producer of 'Frontline.' David Fanning's mentorship and partnership over the past fifteen years has been extraordinary. I am inspired by his legacy and honored to guide 'Frontline's future.

I want to be known simply as a producer who makes music.

Agatha Christie holds special personal memories for me because my mum, a television producer called Pat Sandys, had been the first person to persaude the Agatha Christie estate to put one of her stories on T.V.

I'm developing some screenplays at the moment with my Australian producer.

There's always been some moron-who usually went by the name of 'producer' - who would have to justify his existence, and interfere.

Being a producer, I deal with a lot of different directors, and some of them would drive me insane with all the different histrionics, and the mystique that they carry.

He makes me laugh, Mick! He tended to turn up when we were having lunch and entertain us all. He bought an Enigma machine! I've never worked with a producer who was more famous than everyone put together.

Sometimes the producer has more say and the director takes what he is given. On other occasions, you don't see the producer very much and the director is the one who it is all about.

Having been an actress before becoming a producer has helped, because I realize the needs.

Some artists want a producer to be a kind of svengali - someone who actually creates a sound for them.