Quotes About War

The best time in wrestling was with the nWo and the Monday Night War between WCW and WWE.

I have a friend that is a WWII buff, and we sat and talked a lot about stuff like the war and the reasons behind it, and you now it's all in the uniform. Once you're in it, it usually does all the work for you.

A military childhood in the 1950s was very much informed by WWII. My brothers and I often heard stories from our dad - and from other kids - about things that had happened to their dads. We constantly played war games and, nearly every Saturday, saw a different WWII movie at the post theater.

If you want the human psyche, how we deal with humans in these situations, WWII is a very tangled place to go.

I'm going to leave WWII. I considered and rejected doing something on the Pacific. Fourteen years is enough. I'd like to take on a different challenge and probably a different era. But it will be another war. It's what I do.

We've got to stand up at some point and say, 'We are not gonna pay slavery reparations in the United States Congress.' That war's been fought. That was over a century ago. That debt was paid for in blood, and it was paid for in the blood of a lot of Yankees, especially. And there's no reparations for the blood that paid for the sin of slavery.

Every year, I hear about Thanksgiving. Who do one give thanks to? ... And who is giving thanks? What are they giving thanks for? For lots of poverty that's on the earth and lots of war that is a-rumoring all over the earth? For lots of people who die daily and the crime that multiply?

I always found the extraordinary loss of life in the First World War very moving. I remember learning about it as a very young child, as an eight- or nine-year-old, asking my teachers what poppies were for. Every year the teachers would suddenly wear these red paper flowers in their lapels, and I would say 'What does that mean?'

My next book is also set in the eighteenth century. It's about the Revolution, with the focus on the year 1776. It's about Washington and the army and the war. It's the nadir, the low point of the United States of America.

In this war on truth we are all living in, 'hoax' is a potent, malicious, ugly little word and Trump has been using it more every year. So has Fox.

After the war, I returned to Minnesota, from which I soon moved to Brown University, and a year later, to Columbia University where I remained from 1947 until 1958.

Immediately after 11 September, the U.S. closed down the Somali charitable network Al-Barakaat on grounds that it was financing terror. This achievement was hailed one of the great successes of the 'war on terror.' In contrast, Washington's withdrawal of its charges as without merit a year later aroused little notice.

When I first arrived in Baghdad in January 2003, I thought I would soon rent a house and envisioned myself swimming in the Tigris to cool off after reporting in the city the caliphs called Madinit al-Salam, the City of Peace. A year later, I realized I wouldn't be taking any midnight dips - Madinat al-Salam no more.

My submission to you is we're fighting the war on terror not overseas but in our own streets, and we'd be spending vast more fortunes to try to be a defensive country to protect ourselves rather than an offensive country to spread democracy wherever people yearn for it.

I worked night and day for twelve years to prevent the war, but I could not. The North was mad and blind, would not let us govern ourselves, and so the war came.

The government of the United States doesn't want peace. It wants to exploit its system of exploitation, of pillage, of hegemony through war. It wants peace, but what's happening in Iraq? What happened in Lebanon? Palestine? What's happening? What's happened over the last hundred years in Latin America and in the world?

As long as tides of war are in our favor, the United States will never stop fighting. As a consequence, the war will continue for several years, during which materiel will be exhausted, vessels and arms will be damaged, and they can be replaced only with great difficulties.

I write about the period 1933-42, and I read books written during those years: books by foreign correspondents of the time, histories of the time written contemporaneously or just afterwards, autobiographies and biographies of people who were there, present-day histories of the period, and novels written during those times.

'Troy' is an adaptation of the Trojan War myth in its entirety, not 'The Iliad' alone. 'The Iliad' begins with the quarrel between Achilles and Agamemnon over the slave girl Briseis nine years into the war. The equivalent scene occurs halfway through my script.

Over the years, people I've met have often asked me what I'm working on, and I've usually replied that the main thing was a book about Dresden.

I had known Colonel Charlie Flynn since he was a lieutenant 23 years earlier, and I remembered how his first child, Molly, had been born while Charlie was deployed to the first Gulf War.

I did a picture 40 years ago with Carroll O'Connor and Telly Savalas, God rest their souls, and Clint Eastwood, called 'Kelly's Heroes,' which we filmed in Yugoslavia for six months.

I learned from my grandmother, who grew up in devastating war times, how important it is to keep with tradition and celebrate the holidays during tough times.

If Queen Amezan and Queen Penthesilea could somehow meet in real life, they would recognize each other as sister Amazons. Two tales, two storytellers, two sites far apart in time and place, and yet one common tradition of women who made love and war.