Quotes About Edit

I edit things down, and I've got a massive dressing room in the country, and so all the things I'm not going to wear but don't want to get rid of go there. And all the stuff I want to get rid of goes to Oxfam.

I like getting rid of things. I really do.

I had always loved to write and my mom was my editor for my school papers.

Human nature was becoming an assembly-line edit, Humanity itself increasingly relegated from production to product.

The first thing I do in the editing room is the 'radio edit,' where you listen to the dialogue and don't even look at the visuals. The rhythm, the music of the comedy, has to work.

Part of the pleasure of editing 'Vogue,' one that lies in a long tradition of this magazine, is being able to feature those who define the culture at any given moment, who stir things up, whose presence in the world shapes the way it looks and influences the way we see it.

I took one film class at NYU over a summer and learned the basics - you know, how to load a camera and how to light and how to edit - and I became a film editor.

You act in a movie, and at the end of the day, the director and editor decide what your performance is.

I really like the idea of being utilitarian. My dream is to edit down my wardrobe and be very Japanese, where you have one rolling rack and it's like your four T-shirts, your five dresses, your two pairs of jeans.

I keep only a small edit in my wardrobe because I think it is important to keep things moving through, and I like to find out which pieces from my collections work and which could be reworked and improved.

The true function of art is to criticize, embellish and edit nature… the artist is a sort of impassioned proof-reader, blue penciling the bad spelling of God.

It's never too late-in fiction or in life-to revise.

We must never edit God.

With multimedia, everything blurs. Software takes the concept of the imagination and makes it something you can edit, tweak, and transform with digital techniques. Everything becomes an edited file.

Bash it out now, tart it up later.

So start chopping. Getting to great starts by cutting out stuff that's merely good.

It's the stuff you leave out that matters. So constantly look for things to remove, simplify, and streamline. Be a curator.

Of course no documentary is completely 'objective.' Every decision you make - who to interview, how to edit, where to hold the camera - imposes a point of view on the film.

I love to simplify and edit the contents of just about anything, but women's closets hold particular appeal to me. I edit mine about four times a year and hold a yearly 'clothing swap' to encourage my girlfriends to do the same.

I've written tons of scripts, and when I wrote 'The New Girl in Town,' I read it to my parents, and they suggested I make a movie out of it. I got a few friends together, and I shot the movie in one weekend, and then my mom and I edited it.

I cannot state enough how important post-production is for the success of a horror movie. You bring so much to it with the way you edit it, the way it is sound-designed, and the way the music works with it.

I think a lot of the logic of Google+ is much better in terms of notification of messages to you, in terms of how you post. One very obvious feature is that with Google+, after you post something, you can edit it forever. That is true of both posts and comments. I edit almost every post I make and almost every comment I make.

I think it's important for us not just to edit the culture that capitalism creates but to create the material basis for a culture that we want.

For action to work, you need an awful lot of coverage. Because if you do a fight sequence, you really need to be able to creed the energy in the edit or augment the energy in the edit. So you need to really, really cover it.