Quotes About Room

He lit Daisy's cigarette from a trembling match, and sat down with her on a couch far across the room, where there was no light save what the gleaming floor bounced in from the hall.

And in the depths of my soul — the only reality of the moment — there is an intense, invisible pain, a sadness like the sound of someone weeping in a dark room.

If the office in the Rua dos Douradores represents Life for me, the second floor room I live in on that same street represents Art. Yes, Art, living on the same street as Life but in a different room; Art, which offers relief from life without actually relieving one of living.

The silence in the room was so unusually quiet that the beginning of it seemed rather loud when the utter stillness of the end of it had been encountered.

I've got a room full of scripts. They go to the ceiling. I can't even hardly walk into it anymore. Most are original, and there are some adaptations like 'Man's Fate.'

The job at broadcast is to figure out what the dumbest person in the room is going to think. That's not the case at FX.

Feature filmmaking is a different kind of complication as documentary comes in the editing room.

I want that Sinatra type of fame. It's not the 'Whoever's the hot pop star at the moment' fame. It's the 'Walk into a room and everybody just kind of politely nods their heads' fame. Sinatra fame.

The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.

When I'm writing, I am concentrating almost wholly on concrete detail: the color a room is painted, the way a drop of water rolls off a wet leaf after a rain.

Nothing is more powerful than an idea whose time has come - even if it came in a - living room - or to someone - with a humble living.

There is no person in this room whose basic rights are not involved in any successful defiance to the carrying out of court orders.

A stuffy Capitol Hill hearing room differs quite a bit from the wide open, rural landscape of Louisa County, Va.

If you give an actor any wiggle room to whine in situations where they want to whine, you're gonna whine.

Luke Skywalker, right now, is the last Jedi. There's always wiggle room in these movies - everything is from a certain point of view - but coming into our story, he is the actual last of the Jedi.

My books - I kid you not - are very often shelved between DeLillo and de Sade. Which not only completely cracks me up, but it seems like an encouraging message from the universe: between those two, there's a lot of wiggle room. I feel just fine there.

I am a wild orchid of comedy, so I can only do well under specific conditions... There are people who I think can do any room, and do stadiums and thousand-seat theaters, and then there are people like me who just perform for my parents.

The film room teaches you how to do the job, how to study the game, how to teach the game from film. How to create an advantage for your team by knowing your opponent, and all their plays and tendencies. And there's no better guy in the world that I've been around than Jim O'Brien at breaking down film.

I love '80s music, but in the dressing room, it tends to be more lively!

Theatre tends to be more metaphorical and intense, as you're locked in one room and focused on one thing. Television can hop around, and you need to invest in its naturalistic reality more. But I love writing both, precisely because they're so different.

At home in Manchester, I have a recreation room just like I had in London, with all kinds of jerseys on the wall. In the middle, there's a table to play tennis.

In New York one lives in the moment rather more than Socrates advised, so that at a party or alone in your room it will always be difficult to guess at the long term worth of anything.

Any time I go to a hospital, the doctors treat me like an equal, and I'm terrified I'll be in the delivery room, and the doctor will say, 'Noah. Noah, why don't you get a hand in here?' and I'll pass out or throw up and be horribly embarrassed.

It was both comforting and terrifying to go in to audition for 'The Girl in the Cafe,' as I'd worked with everyone in the room on 'State Of Play.'